In 1969 the Finnish-born photographer Sirkka-Liisa Konttinen ditched her filmmaking course, moving to Newcastle with a group of idealistic young ex-students to found the Amber collective, and embarking on a series of long-term projects, including her seminal work on Byker, which was inscribed in the Unesco UK Memory of the World Register. Nearly 50 years on, she continues to live and work in the north-east as a member of Amber
Last month BJP focused in on group work; this month we’re looking at a different kind of collaboration – projects in which photographers engage in a two-way dialogue with their subjects. One of the best – and the best-known – examples is Jim Goldberg, who works with subjects such as teenage runaways and migrants to tell wide-sweeping stories of marginalisation and economic disparity. Using an eclectic mix of photographs, archive materials and video, and both marking up himself and invites his subjects to write on, he creates complex montages guided by his sense of “intimacy, trust and intuition”. Incorporating the perspectives of the communities and subcultures he represents, his work is informed by his own background in a blue-collar family in New Haven.