All posts tagged: Anamorphosis Prize

Laura El-Tantawy, Alnis Stakle and Alix Marie on the longlist for the 2017 Anamorphosis Prize

Launched in 2015 by the artist Anouk Kruithof with the collector John A. Phelan, The Anamorphosis Prize picks out exceptional self-published and artists’ books that use photography. The longlist includes 20 books each year, of which three receive a special jury mention, and one winner takes all of the $10,000 prize. All submitted books will be donated to Franklin Furnace, which hosted the judging, and the 20 books on the longlist will be included in the MoMA library; The Rubber Factory in New York also hosted the longlisted books and a party to celebrate them on 30 November. The winner for the 2017 prize will be announced on 01 January 2018; the winner for the 2016 prize was Moises Saman with Discordia, and the winner for the 2015 prize was Carolyn Drake with Wild Pigeon. This year the judges were Anouk Kruithof, John A Phelan, and the Mexican curator Amanda de la Garza Mata, and they picked out the following: Sea I become by degrees by Natalia Baluta; Beyond Here Is Nothing by Laura El-Tantawy; The Sentinel Script by Georg Zinsler; Adverse Reaction – …

2017-12-05T18:59:28+00:00

Carolyn Drake wins $10,000 Anamorphosis Prize

A genre-busting look at life in the Xinjiang Uyghur Autonomous Region of China has won the inaugural Anamorphosis Prize. Carolyn Drake’s book Wild Pigeon shows the people and landscapes of the remote, rapidly changing province, 2000 miles from Beijing. Alongside the images, shot between 2007 and 2013, are also collages and drawings made by local people, and references to the story Wild Pigeon by Uyghur author Nurmuhemmet Yasin, who was sentenced to 10 years in prison by the Chinese authorities for ‘inciting separatism’. Drake has described the problems she had in shooting in Uyghur Autonomous Region, which is viewed with suspicion by the Chinese government. “Uyghurs who carry on extended conversations with foreigners risk police interrogation,” she writes on her website, “and foreign journalists are routinely followed; meanwhile, some Uyghurs are opposed to artwork (including photography) depicting living creatures, since only Allah has the power to give life”. In response she started to “look for meaning at the intersection of our views, and find ways to bring the people I was meeting into the creative process”, …

2016-03-01T15:29:57+00:00

BJP Staff