Vanessa Winship’s biggest UK show to date, the first UK retrospective of Dorothea Lange, and a huge group exhibition including work by photographers such as Mary Ellen Mark, Dayanita Singh, Alec Soth, Chris Steele-Perkins, Daido Moriyama, Diane Arbus, Pieter Hugo, Bruce Davidson, and Boris Mikhailov – they’re all coming up this year at London’s Barbican Centre, in a season titled The Art of Change.
The writer, curator, lecturer, and founder of Self Publish, Be Happy picks out his top five of the year – including Shanghai-based studio Same Paper
Patricia Karallis and Giada De Agostinis, founding editor and editor of the online photography magazine, pick out their top five of the year – including Vincent Ferrané’s book Milky Way
“The main issues in fashion currently are gender and identity, and a more inclusive image of beauty,” says Alessia Glaviano. “It partially comes from Instagram – Instagram has made a big change.” It’s forward-thinking comment for someone known for her work on world-famous print magazine Vogue Italia, but then Glaviano’s also known for pushing the boundaries. In addition to being senior photo editor on Vogue Italia, she’s web editor of vogue.it, and she’s also responsible for PhotoVogue – a curated online platform on which emerging photographers can submit their work. And in addition she’s director of the Photo Vogue Festival, the first-ever international festival of fashion photography, which is now back for the second time in Milan. “Well it went very well last year,” she says. “So here we are again.” Then there’s Vogue Italia itself. A very different beast to its more mainstream counterparts in the US and elsewhere, it sets the standard for cutting-edge fashion photography. It’s known for its adventurous and sometimes dark imagery, giving photographers such as Steve Meisel, Miles Aldridge, Ellen von Unwerth, …