The Melbourne-based photographer traversed Egypt investigating the demise of its tourist industry in the aftermath of the Arab Spring
CJ Clarke and Poulomi Basu, photographers and co-founders of the Kolkata festival pick out their top five
Swedish documentary photographer Loulou d’Aki’s Make a Wish has been a long time in the making. The project, which was shortlisted for the Grand Prix at Lodz Fotofestiwal this year, revolves around the aspirations and dreams of young people across the globe, recorded in a sweeping compilation of portraits and landscapes. Shot alongside commissions for international publications such as Le Monde, The New York Times and Die Zeit, it evolved over a number of years, charting the photographer’s life on the move.
When in July 2013 Matthew Connors turned the key in the lock of his Brooklyn studio for the first time in a year, he had more than 27,000 images on the hard drive in his bag. A professor at the Massachusetts College of Art and Design in Boston since 2004 (he commutes once a week from New York City via train), he had spent the previous 12 months on sabbatical, travelling through Egypt and North Korea, photographing both. He had arrived in Cairo in the run-up to the second anniversary of the January 25th Revolution of 2011, when Egyptians had taken to the streets to end the three-decade-long presidency of Hosni Mubarak, one of a series of uprisings across the Middle East that became known as the Arab Spring. Connors admits to being shocked when he first saw Tahrir Square, the location in the centre of Cairo where the protesters had congregated. “I had come to know it mostly through journalistic images, where it had been swarming with people and full of encampments. But when I arrived in early January, none of …