Founded in 2015 by Chinese photographer RongRong (who also also founded China’s first photography museum, Three Shadows Photography Art Centre) with Sam Stourdzé, director of Rencontres d’Arles, the Jimei x Arles International Photo Festival is the biggest of its kind in China. It returns this November with 30 exhibitions by over 70 artists, including shows brought over from Arles and exhibitions devoted to emerging Chinese image-makers.
The Jimei x Arles Discovery Award nominees features work by ten new Chinese photographers, for example – with one image-maker selected from the show to win 200,000 RMB plus a place in Arles’ prestigious Discovery Awards. This year the nominees are: Coca Dai (1976), Hu Wei (1989), Lei Lei (1985), Pixy Liao (1979), Lau Wai (1982), Shao Ruilu (1993), Shen Wei (1977), Su Jiehao (1988), Wong Wingsang (1990), and Yang Wenbin (1996)
Europe boasts more than a hundred photography festivals, but few match the scale and ambition of Photo España in Madrid. This year, the organisation behind it, La Fábrica, celebrates the festival’s 20th edition with a typically eclectic summer season of activities throughout the Spanish capital, encompassing the work of more than 500 artists across dozens of venues that range from the small to the iconic. “The festival is a collective project with a wide variety of institutions, both public and private, supporting it,” says director Claude Bussac, who is hoping that the 2018 edition will “push forward both the formal and geographical boundaries of photography… We aim to celebrate our 20th anniversary questioning photographic meaning and inviting photographers from every continent.”
Why is it important to possess an understanding of photography as both a medium and subject?
Luce Lebart has hopped across the Atlantic Ocean to take the helm of the newly-minted Canadian Photography Institute (CPI), which fills the large gap left by the abrupt and permanent closure of the Canadian Museum of Contemporary Photography in 2009, thanks to the support of Scotiabank, the Archive of Modern Conflict and the National Gallery of Canada Foundation
It’s the biggest, most prestigious photography festival in the world and it’s back – Les Rencontres de la Photographie in Arles opens on 03 July and closes on 24 September. It’s the 48th edition of the festival, which has seen seismic changes in the last few years – the departure of its long-standing director Francois Hebel after the 2014 edition, and the arrival of his replacement, Sam Stourdze, the backing of the influential LUMA Foundation, and the Cosmos-Arles book fair. This history and reputation mean Arles is able to pull in the big names, which this year means including solo shows by Joel Meyerowitz, Michael Wolf, Gideon Mendel, Masahisa Fukase, Alex Majoli and Roger Ballen; plus an exhibition on Surrealism organised by Le Centre Pompidou and including works by Hans Bellmer, Erwin Wurm and Rene Magritte. Arles also uses its might to showcase lesser-known names and regions, however, and one of the themes running through the 2017 edition is Latina!, a celebration of work from South America in four separate shows. Urban Impulses is a group …
It’s not particularly easy to locate the Archive of Modern Conflict. It lies behind a side-door, down an unmarked path, tucked back from one of the more modest streets of Kensington. Holland Park lies just to the north, with its open-air opera nights, Japanese gardens and lining of grand mansions. To the east is High Street Kensington and then Sloane Square, the most affluent of playgrounds. It’s likely many of Timothy Prus’ neighbours won’t know him from Adam, or have a clue that one of the most eclectic photography collections in the world nestles in their midst. You can understand the aura of hushed discretion and hearsay when you stand inside the archive. But for the standard issue Apple computers, the building and its decor could be from any year after World War II. Photographs are crammed into every available space of this homely office; performing, posing or caught unawares, the stories of countless people, the world over, lie in rest here. I’m here to discuss the archive’s latest creation; perhaps its most strange and …