All posts tagged: Arles

Arles 2017: Sanne De Wilde’s The Island of the Colorblind

Congenital achromatopsia is a hereditary condition in which the eye cannot detect colour – the cones in the retina do not function, leaving the vision to the rods alone, which only detect shades of grey. In most places the disease is rare, occuring in less than one in 30,000 people. But on the Micronesian island of Pingelap it’s much more common, present in more than 5% of the population. It’s an extraordinary phenomenon – and one that immediately gripped Belgian photographer Sanne De Wilde when she heard about it back in 2015

2017-08-10T12:09:51+00:00

Arles 2017: Q&A with Jacob Aue Sobol

Born in Denmark in 1976, Jacob Aue Sobol studied at the Fatamorgana Danish School of Art Photography from 1998-1999. In Autumn 1999, he went to live in the Tiniteqilaaq settlement in Greenland, and mainly stayed with his Greenlandic girlfriend Sabine and her family for the next three years. The resulting book, Sabine, was published in 2004, and nominated for the 2005 Deutsche Börse Photography Prize. In 2005, Aue Sobol travelled with a film crew to Guatemala, to make a documentary about a young Mayan girl’s first journey to the ocean. The following year he returned alone and he met the indigenous Gomez-Brito family, and stayed with them for a month. His story on the family won the Daily Life Stories award in the 2006 World Press Photo.  In 2006 he moved to Tokyo, and shot a series of images that won the 2008 Leica European Publishers Award. I, Tokyo was published by Actes Sud (France), Apeiron (Greece), Dewi Lewis Publishing (Great Britain), Edition Braus (Germany), Lunwerg Editores (Spain) and Peliti Associati (Italy). Sobol became a nominee at Magnum Photos in 2007, and a full member in 2012. Aue …

2017-08-10T12:10:29+00:00

Arles 2017: Voies Off

Dating back to 1996, Voies Off is the large and well-respected alternative to the official Rencontres d’Arles programme. Now backed by Leica, Voies Off is staging nearly 150 exhibitions from 03 July – 24 September, all of which are free to enter, plus a week of screenings, masterclasses, awards and portfolio reviews in the opening week, from 03 – 08 September, from its base in the Cour de l’Archevêché courtyard. The courtyard also hosts parties, held every night from midnight in the opening week.

2017-07-06T11:06:25+00:00

Arles 2017: BJP One to Watch Emmanuelle Andrianjafy

Born in 1983, Emmanuelle Andrianjafy grew up in Madagascar and worked as an engineer in France before moving to Dakar in 2011. Relocation to Senegal proved quite a shock. “It’s very energetic, very hectic, very loud,” she told BJP for the June Ones to Watch issue. “It’s very different to where I’ve lived before. It’s by the sea but it’s not peaceful; the landscape is harsh and dry. I was tempted to not deal with it and just stay at home.”

2017-07-18T15:22:19+00:00

Arles 2017: The Parallel State by Guy Martin in the New Discovery Award

Taking a new approach to documentary photography after a near-death experience in Libya, Guy Martin captured Turkey’s fantasies and created a series now on show at Arles. “To not learn from that event in April 2011, I couldn’t do that to myself,” he says. “I couldn’t justify it to my family, I couldn’t be put in that same situation again. The starting point was to take control of my photography, to use my photography instead of letting it use me.”

2017-07-18T15:23:06+00:00

Arles 2017: Arko Datto’s Mannequin on show at Voies OFF tonight

“During the daytime people are so busy with their lives, but during the night they are more truthful, this is what I want to capture in my walks,” says Arko Datto, who has just completed What news of the snake that lost its heart in the fire, the second chapter of the trilogy started with Will my mannequin be home when I return.  The Indian photographer, who was nominated for the Gomma Grant in 2016, started Mannequin in 2014, first using black-and-white then moving to colour to create a “more advanced, elaborate and a visually solid work”. Shot in India on a walk he repeated many times, it explores “what it means to be in direct confrontation with the night”. The project is open to several layers of interpretation, and includes fictional stories that run through the documentary images. SnakeFire – or, to give it its full title, What news of the snake that lost its heart in the fire – is based in Indonesia and Malaysia, and also explores the night. “Different places have their own characteristics,” explains Datto. “I’ve been …

2017-07-03T15:01:05+00:00

The journalist-turned-photographer shining a light on Beijing’s underground workers

Having discovered a passion for photography as a teen, Sim Chi Yin spent nine years as an adult writing for The Straits Times, Singapore’s English daily, before returning to image making. “I’ve had to remind myself that a good text subject might not be a strong picture project,” she says of the change. “And I’ve had to deal with switching from trying to be an objective reporter to being a closely involved fly on the wall.” She seems to be making a smooth transition, though – Rat Tribe, which documents the lives of low-income workers in Beijing, was presented at Rencontres d’Arles in 2012, and her coverage of the Burmese spring was shown at the Nobel Peace Center in Oslo the same year. In 2013, she was nominated for the W. Eugene Smith Grant for Humanistic Photography for Dying to Breathe, an ongoing series on a Chinese gold miner and she is also a member of VII Photo Agency, having been part of their mentoring programme. Born in Singapore, Sim is now based in China, where taking photographs – or, …

2015-08-28T13:37:29+00:00

Dispatches from Arles 2014: the highs and lows

The opening week of the 45th Les Rencontres d’Arles festival has come to a close, but the 50-plus exhibitions continue until 21 September, so there is plenty of time to check out what outgoing director François Hebel has programmed for his final edition. As some commentators have argued, this year’s programme feels slighter than in previous years, and there is little doubt that feelings towards its success are mixed. At the FT, photography critic Francis Hodgson detects a hesitancy as Arles ponders its future. Hebel is departing for pastures new after overseeing 15 editions, as Sam Stourdzé, former director of the Musée de l’Elysée in Lausanne, Switzerland waits in the wings to take his place. Sean O’Hagan of The Guardian also notes that this is a pivotal year, and comments that the festival, the theme of which is ‘Parade’, is “less surprising” than in previous years. L’Oeil de la Photographie writes the festival off completely. [bjp_ad_slot] For me, it was a mixed bag with both disappointments and a few gems. Exhibitions such as David Bailey’s Stardust, on tour after a stint at the National Portrait Gallery in London earlier this year, seemed misplaced, …

2014-07-25T17:44:49+00:00

BJP Staff