“The whole jury was in agreement that Eva has a very strong vision and that her work is characterised by a consistency both in aesthetic and content, since the concepts explored are the hot topics of our contemporary society,” says Alessia Glaviano, senior photo editor on Vogue Italia and member of the Hyères Festival photography jury this year – which has awarded the grand prix to Eva O’Leary. The New York-based photographer has won with a series called Spitting Image, which shows American girls aged 11 to 14 photographed while looking at themselves in a mirror. A project involving both photographs and videos, Spitting Image shows both the girls’ discomfort with being put in front of the lens, and the ways in which they – and others – present themselves for the camera.
Photographs of women prisoners typically depict them in their cells, behind bars, their femininity stripped away. In contrast to this, French photographer Bettina Rheims has made a series of studio-like portraits of women in four jails across France, images that seek to restore and capture the feminine aspect of their identity. Titled Détenues [Detained], the series comprises 68 frontal portraits shot against white walls in Autumn 2014, and is currently on show in the chapel of Château de Vincennes – a former royal castle near Paris, that housed ‘women of ill repute’ in the 18th and 19th centuries. The exhibition is accompanied by a book, published by Gallimard.
“Throughout human history the depiction of the human body has been curiously investigated,” writes BJP‘s assistant editor, Izabela Radwanska Zhang. “In its rawest form, artists have dedicated their lives to perfecting it on paper – god and icons of religion and spirituality rendered in perfect anatomy. This changed with the arrival of the camera, and gradually our viewpoints of the figure became manifold.” We contemplate some of these viewpoints in this issue, which looks at the depiction of the human form and the ways in which contemporary image-makers are pushing its representation. From Amsterdam, we have Carla van de Puttelaar and her compelling work on the female nude, which takes inspiration from the Old Masters. Photographing female figures of the art world, Van de Puttelaar creates portraits that are both elegant and empowering in her ongoing project Artfully Dressed: Women in the Art World. Elsewhere, we feature a new three-part project by co-curators Holly Hay and Shonagh Marshall titled Posturing: Photographing the Body in Fashion, which explores the changing representation of the body in the ever-morphing fashion world. “It’s about …
It’s one of the most interesting prizes for emerging photography, with previous winners including Sølve Sundsbo, Anouk Kruithof, and Lorenzo Vitturi – it’s the Grand prix du jury photographie at the International Festival of Fashion, Photography and Fashion Accessories in Hyères and the 2018 finalists are: Eva O’Leary (Ireland, USA), Teresa Eng (Canada), Pascale Arnaud (France), Laetitia Bica (Belgium), Sarah Mei Herman (Netherlands), Allyssa Heuse (Philippines, France), Jaakko Kahilaniemi (Finland), Csilla Klenyánszki (Hungary), Sanna Lehto (Finland), and Aurélie Scouarnec (France). The ten shortlisted photographers will present their work at a group show at the Villa Noailles from 26 April-27 May; the winner will be announced during the festival, which takes place from 26-30 April.