“I hate myself because I am a murderer… You can’t save me… We are a faceless, forgotten part of society…” These are just some of the intimate, often devastating thoughts of the inmates at HMP Grendon, a category B men’s facility in Buckinghamshire and Europe’s only “wholly therapeutic” prison. Their words accompany My Shadow’s Reflection, a series informed by Edmund Clark’s artist-in-residence at Grendon, which forms part of his larger body of work, In Place of Hate, on show at Ikon Gallery in Birmingham from 06 December.
For Omar Khaleel, fashion is personal. Using his native Birmingham as a backdrop for his editorial commissions and portraits, he shapes his work according to the details and textures of British urban life. From the streetwear his models are styled in, to the musicians he photographs and the local streets he uses as locations, Khaleel’s photographs pay tribute to the many facets of inner-city identity and are steeped in the environment that shapes it. As a British-Yemeni, representing cultural diversity plays an important role in Khaleel’s approach to photography. “I am bicultural and live in a culturally rich but economically poor inner-city environment,” he says. “I have been blessed enough to have grown up with and be around people from all walks of life.”
“People might not have a lot, but they will give you what they can. That’s true of so many Irish people. They’re a very warm and friendly and welcoming people. They will tell you stories and their lives and give you their time.” Josh Adam Jones, a student at the University of West England, Bristol, developed his project 99 Peace Walls whilst volunteering at Belfast’s photo festival this summer. The youth of the city helped him to understand the divides that are still ingrained into the culture there, and how, in spite of this, there is a warm community to be found throughout the city.