All posts tagged: BJP

From the series South London Bikelife © Dan Giannopoulos

How South London Bikelife sidesteps the negative stereotypes

In 2014, masked bikers started riding around Dan Giannopoulos’ neighbourhood in Greenwich, South London. The local and national press was instantly critical, but Giannopoulos was intrigued, and soon decided to start shooting them. “I like exploring subcultures and fringe communities; this was something that really sparked that interest and it was right on my doorstep so I had no excuse to not pursue it,” he says. “At the time I was shooting a project on the banger racing community, and moving straight into this seemed like an obvious thing to do…It felt like a natural segue – they explore similar themes of working class communities developing intriguing subcultures.” After a failed start with a group on the South London/Kent borders, Giannopoulos met a larger community riding near the O2 arena in April 2015; sending images to the riders after their first meet-up, he quickly formed a working relationship. What struck him was how friendly and humorous the riders were, he says, contrary to their reputation “They all looked out for each other,” he says. “Defiantly so. They all …

2017-02-16T13:38:28+00:00

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#BJP 7856: Tales of the City

“It’s my sexiest project, for sure,” says Richard Renaldi of his latest photobook, Manhattan Sunday. Shot late at night and early in the morning in New York’s clubs, it’s a portrait of a nocturnal playground, peopled by free spirits. Renaldi moved to New York in 1986 and immersed himself in its clubs; 20 years later, he still enjoys a night out dancing, but set up a large format camera and tripod to shoot his series, on the dance floors and on the streets nearby. It was, he says “a little nutso, given the liability issues….but fun”. Renaldi’s series is BJP’s latest cover story, in an issue which explores many other facets of urban life. Dayanita Singh’s shots of factories in her native India offer a very different view of the city, for example, recording a country in flux as its manufacturing goes post-industrial. Fred Mortagne’s book Attraper Au Vol, meanwhile, show how skaters adapt rigid cityscapes to their own design, re-imagining the spaces and their possibilities. Meanwhile Mark Neville also explores how the environment is reshaped through play, shooting …

2017-01-31T11:46:29+00:00

All images from the book You Haven't Seen Their Faces © Daniel Mayrit

Daniel Mayrit’s portraits of the rich and powerful financial elite

“In the past, no government had the power to keep its citizens under constant surveillance,” wrote George Orwell in his novel 1984. But where his work depicts an imaginary dystopian society, a version of the mass surveillance it describes is now an everyday reality in the West. Civil liberties, some contend, are being traded for security. That’s the debate Spanish photographer Daniel Mayrit engages with in You Haven’t Seen Their Faces, a seminal work which won the Paris Photo-Aperture Foundation First PhotoBook Award in November 2015. The book is a bizarre collection of CCTV-style, strongly pixellated and blown-up portraits of “The 100 most powerful people in the City of London”, coarsely printed on Kraft paper and bound together with three gold-coloured screws. Every image is tagged with hand-written notes and a caption, giving the same information about each subject – full name, position, company, reported net worth and/or salary. The basic data that goes with the picture of Christian Levett, for example, reads “Founder. Clive Capital. £13m salary. Net worth £250m”, presented in a font that suggests officialdom. …

2016-11-29T16:07:04+00:00

A mother and child bathe in the waters of Saut d’Eau, where the Virgin Mary is said to have appeared in a palm tree in the 19th century. Every year, Haitians make their way to the grove, to bathe in the waterfall, which is said to have healed the sick.

From the Experts: How to Succeed in the Editorial Photography Market

BJP

Our November workshop will provide an invaluable insight into the dos and don’ts of the editorial photography market and how to get that assignment. Speakers include: Magnum photographer Diana Markosian and leading photography commissioners including; Hamish Crooks (Magnum Photos), Emma Bowkett (FT Magazine and Port Magazine), Alexia Singh (Reuters, Magnum, Save the Children).  For emerging photographers, the prospect of breaking into the editorial market is a challenging one – building portfolios, approaching editors and winning commissions are all crucial, yet daunting tasks. At our upcoming workshop, speakers such as Magnum Photos’ Hamish Crooks will help photographers learn more about the detailed process of how to get that breakthrough assignment and succeed in the editorial market.  Behind the scenes tips, practical advice and portfolio reviews with the speakers and Magnum staff will provide photographers with an honest, constructive and critique of existing work. “If you want to work on editorial stories, spend time to develop your narrative sense – choose a subject you are passionate and have a very definitive viewpoint on, and then shoot, re-shoot and shoot again until you feel your pictures match your …

2016-11-28T11:26:57+00:00

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BJP’s The Food Issue is out now!

BJP

Food is big business right now, from esoteric street food diners to upscale Michelin restaurants, backed up by a wealth of imagery online, in magazines, in cook books and even in galleries. A recurring theme in art history, it’s also a favourite with advertisers, and a key insight into cultural mores. Food, like photography, can be high art and pop culture, aesthetically driven and plainly utilitarian. This issue, we showcase an extended collection of Martin Parr’s famed food photography. Described as “a chronicler of our age”, and known for his character-filled, satirical approach to documenting modern society, Parr believes food has a great social history: “When I started, it wasn’t really being explored. Now we all photograph what we eat, all the time.” Parr’s inimitable relationship with food is the subject of his recently published book Real Food, a compendium of his greatest nosh shots taken everywhere from Britain to Sri Lanka, including everything from buttered bread to rotting fruit. We also feature Per-Anders Jörgensen’s project with Michelin-star chef Konstantin Filippou, which captures the chef ’s sensitivity to …

2016-11-08T15:50:36+00:00

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BJP & Magnum Photos present four new Professional Practice Workshops

BJP

With an ever-changing arts market and increasingly competitive photography network, there has never been a time more important to know how to market, sell and distribute your work. A fresh programme of workshops led by industry professionals and Magnum photographers taking place over the coming months, will provide an invaluable insight into the dos and don’ts of the photography market, and present highly valuable training opportunities for photographers at any stage in their career. There will be four workshops each lasting two days, with the first starting on 19 November. Each will address a different aspect of the business, including how to establish a professional network of industry contacts, how to understand the requirements of the market and what the realistic routes into photographic employment are. A selection of carefully curated lectures from speakers addressing specific areas of the photographic industry, sharing practical advice on how to succeed in their particular area,  will take the lead in activities for the first day. On the second day, photographers will have the chance to present their portfolios and get honest …

2016-12-05T16:46:45+00:00

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Editor’s Introduction: The Migration Issue (BJP #7851)

BJP

This issue of BJP focuses on the European migrant crisis which, over the last couple of years, has seen a surge of people entering the continent. Many are refugees fleeing conflict, with the United Nations High Commissioner for Refugees stating that in 2015 49% of those arriving from the Mediterranean came from Syria, 21% came from Afghanistan, and 8% from Iraq. Even so, attitudes in Europe have hardened, and photography has played a sometimes dubious role in fostering that colder climate. Upon Googling ‘refugee children’, Patrick Willocq found hundreds of pictures that looked the same, he tells BJP – “people on beaches, children crying, very little humanity.” His response, created for Save the Children, was to collaborate with young refugees and reflect their mental state instead, and the same sense of humanity runs through the other projects we’ve featured. “It’s no longer about making people aware of the migrants’ movements. They know,” says Alessandro Penso. “It’s now something else, something more personal, something about empathy.” In taking this approach, these photographers open themselves up to …

2016-09-08T13:21:33+00:00

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#BJP 7850: The Education Issue

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“I don’t think there’s any such thing as teaching people photography, other than influencing them a little,” said Imogen Cunningham, the largely self-taught American photographer, who in later life tutored alongside Ansel Adams, Edward Weston, Dorothea Lange and Minor White at California School of Design. “People have to be their own learners. They have to have a certain talent.” It’s one of the central themes of our second annual special issue devoted to photography education, in which we profile two of the world’s most influential (and sharply contrasting) institutions – the Royal College of Art in London and Pathshala South Asian Media Institute in Dhaka – alongside reports on the workshop approach, and the experiences of laureates of the BMW Residency, both of which require a belief in self-learning and reflection. And while the methods may differ, the student-centred approach dominates. Rather than passively soaking up the knowledge of their masters, students are active participants, problem-solving on their own and developing a self-directed practice through which they learn about themselves as photographers. Nor is it …

2016-08-04T10:54:28+00:00

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