It’s six years since the inaugural edition of Unseen Amsterdam arrived with the mission to shake up the art fair model, focusing on emerging photographers and collectors, and instilling a welcome dose of fun to proceedings. And despite its beginnings during difficult times for arts funding, the ‘fair with a festival flair’ has largely succeeded, developing into something more ambitious than a glorified trade show, with its own public programme and a city-wide celebration of the medium in one of the world’s great photography capitals.
The emphasis remains on championing new talent, and with this in mind, the latest addition to Unseen is Futures, a cross-European photography platform bringing together 10 cultural institutions from around the continent, each with their own talent programmes.
1854 was a big year for photography. Kodak founder George Eastman was born, and the first issue of British Journal of Photography was published in Liverpool. Since then, the magazine has undergone several evolutions, rejigging its format from a weekly trade journal to a monthly glossy, and changing its name several times along the way. The magazine’s content has also continued to shift. With roots in scientific journals, British Journal of Photography has now changed course and grown into an art and documentary photography magazine, focused on the cutting edge of editorial and commercial practices. However, looking to the past, its most instantly noticeable transformation is its change in design. Staying alive for 164 years is a formidable achievement, but perhaps the key to our long life is our capacity for change. The redesigns of the magazine have always reflected its changing direction and willingness to adapt to the times, and they have carried us through right up to the present day. Here are some of British Journal of Photography’s most drastic changes. 1864 This centenary …
“It is an opportunity to meet people in the industry in a relaxed and enjoyable setting,” says Mimi Mollica, photographer and founder of Offspring Photomeet. “It’s easy to build contacts when you hang out for a couple of days with editors and publishers who share the same passion as you.” Offspring Photomeet will return to Space Studios in Hackney in June for its 5th annual portfolio review, offering one-on-one reviews with experts from Tate Modern, British Journal of Photography, The Guardian and more.
On 13 February, Çağdaş Erdoğan will stand trial in Istanbul accused of membership and support of the Kurdistan Workers’ Party (PKK), a separatist group classified as a terrorist organisation by the Turkish government. Erdoğan is of Kurdish descent, grew up in the region and, as an adult, embedded with affiliates of the PKK during the complex, multifactional conflict that has crossed the borders of Syria, Iraq and Turkey. But he did so, he claims, purely as a photojournalist intent on documenting an unseen conflict for the world’s media and without any alliance with or allegiance to any organisation. His only allegiance was to photography.
“The work represents my experience in recovering and understanding my parents, their life and their relationship towards myself,” says Marco Marzocchi of his series Oyster. “I never knew them well because they split when I was 6 years old, and they both died young.
“Drugs, addictions, jail, and dysfunctional environment, these were constant elements. This work is focused on dealing and replacing all the doubts and the fears that I had. Exorcising the pain and the searching for love.” A bold mix of colour, black-and-white, contemporary and archive images, presented with hand-written text, Marzocchi’s series has scooped first prize in the 2017 Gomma Grant. Marzocchi has worked on the project for a decade, honing down on the editing last year with distinguished photographers JH Engstrom and Margot Wallard at the celebrated Atelier Smedsby workshop.
British Journal of Photography is a thoroughly international publication, dedicated to showcasing the best of photography from around the world.
From rare interviews to important technological advancements: a snapshot of photographic history from the BJP archive
Digital editor Diane Smyth sheds light on what she looks for when selecting feature-worthy projects.
Running to over 1200 pages and featuring 1250 images, is this the biggest photobook in history?
“I am always trying to challenge myself and develop new ways of exhibiting work that defy the trap of the exhibition shuffle.”