The September issue brings the otherwise invisible into sharp focus. Invisible World explores forgotten conflicts, intimate retreats, abused landscapes and remote islands to uncover the hidden realities and unknown societies behind ordinary backdrops. “As social beings, we all demand to be seen,” says Hoda Afshar, whose latest series, Behold, takes us to an exclusive male-only bathhouse. Her point resonates with all the photoseries explored in this issue: how do we negotiate our surroundings, how do we see our societies, how do we interpret our world? We need to first see the invisible to answer these ever salient questions.
Grinders, which was nominated as a runner-up in this year’s British Journal of Photography Breakthrough Awards, focuses on a community of body hackers who undergo operations to add technology into their body. Like something out of a sci-fi novel, the group hope that slicing their bodies open will enable them to solve mankind’s problems through machine. The combination of man and machine is no longer futuristic fiction.
1854 Creates will help brands capitalise on over a century and a half of expertise in visual content
photography has the power to unite and create empathy, something that we, as photographers, should see as our obligation to the world,” says Ali Mobasser, who was one of the winners of BJP’s Portrait of Britain project last year. “Exhibiting using major advertising space was a brilliant idea,” he said of the initiative, “replacing its capitalist function with a humanist cause is genius. It’s a bit like secretly replacing someone’s cigarettes with carrot sticks, or opening up the Daily Mail to find the poetry of Rumi.”
” I always feel like I am (metaphorically, and sometimes physically) skipping or hopping around a person waiting for the moment I get something interesting from them, waiting for the moment it goes from being quite ordinary to being something powerful or compelling.” Jo Metson Scott, a winner in BJP’s Portrait of Britain 2016, shares how to capture the perfect moment –
BJP is proud to present the Book Dummy Award, a new competition run in partnership with La Fábrica and Photo London.
The award offers one winner the chance to have his or her book published, in a print run of at least 1000 copies, and have it showcased through La Fabrica’s sales catalogue, presented an exhibited at festivals and fairs such as Photo London 2018 and PHotoESPAÑA 2018, and submitted to the most important photography competitions around the world.
Commissioned to make new work in Barrow by Signal Film & Media, Felicity Hammond created a huge photo-collage installed on a four-metre light box, which is titled In Defence of Industry and emphasises the importance of the nuclear industry in the town. “I wanted to communicate the physical presence of the huge sheds where the submarines are built,” she says. “They dominate the town, almost towering over it.”
“Portrait of Britain is a celebration of photography as much as the country’s people. We want to encourage self-expression, and to show the public the many approaches used by photographers to describe their worlds,” says BJP‘s editorial director Simon Bainbridge. “Portrait of Britain comes at a time of uncertainty and self-examination for the UK. But our exit from the EU provides an opportunity to reflect on our identity and think about our place in the wider world. Portrait of Britain provides a chance to quietly reflect on that through portraits, capturing the unique heritage and diversity of our people, free of a divisive rhetoric of politics.” He’s discussing BJP‘s annual portrait competition, which is open to any photographer with a picture of a person shot in Britain. From the entries, 100 images will be selected for a nationwide public exhibition, showcased on JC Decaux digital screens on the streets and in transport hubs the length and breadth of Britain in September 2017. From casual snapshots and selfies to documentary projects and street photography, BJP takes an open-minded …
“If you want to get your work seen and your talent celebrated you should look no further!” says Mimi Mollica, photographer and founder of the Offspring Photo Meet. “Photo Meet has become the hub photographers needed in London. With portfolio reviews, talks, workshops, projections, great offers and our beefed up Best Portfolio Award, the two-day event will be fun and inspirational.” Launched in 2015, Photo Meet returns to Hackney’s Space Studios on 12 and 13 May with a stellar lineup of photo experts, including a portfolio review including experts from Tate Modern, British Journal of Photography, The Photographers’ Gallery, The Observer, FT Weekend Magazine, Vice, and agencies, production companies, galleries, and publishers. Rising photographic stars Juno Calypso and Francesca Allen will join Tate Modern curator Shoair Mavlian on Friday evening to discuss making work in the internet era, plus rewriting the boundaries of the representation of sex, gender and identity. Jörn Tomter and Luke Archer will host the Saturday Beer O’Clock, presenting their self-produced and self-published magazines, Loupe magazine and I love Chatsworth Road. Laura El-Tantawy show her new …
Established in 1854, BJP is the world’s longest-running photography magazine, with a longevity built on innovation. We showcase the most important pioneers of photography, but we also keep on top of new trends ourselves, sometimes literally moving with the times to stay at the centre of Britain’s creative scene. Founded in Liverpool, the magazine moved to Covent Garden in 1864; in 2007 we moved to Soho, long at the heart of London’s media industry. In 2013 we settled in Shoreditch, an area then synonymous with art and creative businesses; but the area is changing fast so we’ve now moved again – to the up-and-coming East India Dock. “We are excited to be one of the first creative young businesses to be making the move to East India Dock, at the start of its transformation into a creative London hub,” says Marc Hartog, CEO of BJP‘s publisher Apptitude Media. “This is an exciting new chapter for BJP in the digital and social era and it is important to be in an environment which the team will enjoy and in which the …