From the 4 June, for five days only, signed or estate-stamped, museum quality 6×6” prints will be available to purchase for $100, from more than 70 Magnum photographers – each responding to the theme ‘freedom’. Fifty years ago, in 1968, the world succumbed to momentous change. It was a seismic year of deep societal and political shifts in the name of freedom. In America particularly, the civil rights movement took hold, Martin Luther King Jr. was assassinated, and anti-Vietnam war protests raged. But all over the world, international issues of freedom from oppression, freedom of speech, and political, sexual and religious freedom, also came to the fore as protests racked cities. To celebrate this year in history, the Magnum Photos June 2018 Square Print Sale is examining the very definition of freedom and its legacy. The works on sale span the last 70 years, and capture both deeply personal, and universal, notions of freedom. “Freedom is often described with big words, but we encounter it every day in the little things we do,” says Newsha …
“They’re all driven by motivations that are both personal and political to a degree, and they are all self-initiated projects,” says curator Alona Pardo of the photographers in the show Another Kind of Life: Photography on the Margins. “Some may have started as commissions, but very early on took on a life of their own. It was interesting to think about the role of the photographer, because often the photographer hides behind the camera as a facade. There is also an interesting subtext of the photographer occupying the position of an outsider within mainstream society. They are there, assertively documenting the world.”
Bruce Davidson has won a Lifetime Achievement prize in this year’s ICP Infinity Awards, which will be formally presented on 09 April. Best-known for his two-year project on the poverty-stricken residents of East 100th Street, Davidson joined Magnum Photos in 1958 and showed his work at the Museum of Modern Art in 1963. His work often documents social inequality, and includes iconic series such as The Dwarf, Brooklyn Gang, and Freedom Rides.
Vanessa Winship’s biggest UK show to date, the first UK retrospective of Dorothea Lange, and a huge group exhibition including work by photographers such as Mary Ellen Mark, Dayanita Singh, Alec Soth, Chris Steele-Perkins, Daido Moriyama, Diane Arbus, Pieter Hugo, Bruce Davidson, and Boris Mikhailov – they’re all coming up this year at London’s Barbican Centre, in a season titled The Art of Change.
“The Hobbyist is the first major exhibition to explore the relationship between photography and hobby culture, focussing both on the photography of hobbies and photography as a hobby,” write curators Pierre Hourquet, Anna Planas and Thomas Seelig of the forthcoming show at the Fotomuseum Winterthur, The Hobbyist – Hobbies, Photography and the Hobby of Photography, which opens on 08 September. It’s a fair but also deceptively simple summary of this intriguing show, which is backed up by a busy events programme and a magazine (in place of a catalogue). “A phenomenon as diverse and participatory as the hobby can hardly be tackled through a classical exhibition alone,” write the curators, and the magazine reflects some of this diversity, including images by photographers such as Alberto Garcia-Alix, Bruce Davidson, Alec Soth, Mike Mandel, Ricardo Cases, and Kirill Golovchenko, vintage adverts for TVs, cameras and videotape recorders, an extract from Theodore W Adorno’s test The Culture Industry, a Q&A with Jeremy Deller and Alan Kane on their Folk Archive, and essays by contemporary cultural theorists such as Olivia Baeriswyl, Therese Steffen, and Doris Gassert.
“If your pictures aren’t good enough, you’re not close enough,” said Magnum Photos co-founder Robert Capa, famously. This week Magnum Photos is revisiting Capa’s concept with its Square Print Sale, part of a cycle of four print sales it’s running to celebrate its 70th anniversary.
The connection between photographer and subject is a vital element in the power of an individual photograph. In turn, the image has the power to inspire, inform and communicate human engagement. In 1948, David ‘Chim’ Seymour would come to pioneer this visual form of emotional empathy through his work with UNICEF – following the children orphaned and scarred by the consequences of the Second World War. Working for six months on a dramatically reduced fee, Chim painstakingly travelled across Europe shooting 257 rolls of film, going beyond mere illustration of UNICEF’s work, the assignment became a labour of love, revealing his unique capacity to awaken the public’s conscience to war’s most vulnerable victims. His unapologetically compassionate approach reflected both his deep seated humanism and unique ability to treat those he photographed with equanimity, reverence and respect, developing a genuine human connection that would become emblematic of the engagement at the heart of documentary photography today. Chim’s photographs remain an indispensible part of history, creating a style of photography which has not only shaped the ethos of Magnum Photos …