All posts tagged: Burma

Q&A: Patrick Brown, World Press Photo of the Year nominee

Born in Australia in 1969, Patrick Brown lived in the Middle East and Africa before his family settled in Perth, Australia. Drawn to documentary photography, and influenced by the images of war and civil unrest from the 1980s and 90s, he returned to Africa and spent six weeks documenting the work of an Australian surgeon in Malawi. Brown joined Panos Pictures in 2003, and has shown his work in institutions such as the International Center of Photography in New York, and Visa Pour l’Image in France; he works for organisations such as The New Yorker, TIME, Newsweek, National Geographic, GEO Germany, OXFAM, Human Rights Watch, and The Red Cross. Brown focuses on documenting issues across Asia, and has been nominated for the World Press Photo of the Year for an image showing the bodies of Rohingya refugees laid out after the boat in which they were attempting to flee Myanmar capsized about eight kilometers off Inani Beach, near Cox’s Bazar, Bangladesh. BJP: Your image is quite oblique, you have to look again to see what’s actually being shown. Why …


Photographing the people of Burma as the country opens its borders for the first time

“I wanted to document life in Burma by capturing a visual time capsule of the country, a country largely closed off from the outside world and largely untouched, but not for much longer,” says Clarisse d’Arcimoles of her new series Myanmar to Burma: Portraits of Change. In 2012, after half a century of repressive military junta rule, Burma reopened its borders to the outside world. A rapidly changing country about to have its first democratic election in November, d’Arcimoles, a French documentary photographer and fine artist, immersed herself in its culture to produce images of a people presenting itself to the outside world for the first time in decades.   She first travelled to Burma in the spring of 2014, when she organised an art competition to sponsor Burmese art through social media and exhibitions. In 2015 Clarisse decided to return in order to pursue her own photography project. “I immersed myself into the Burma of today, inside the homes which until recently were shut to outsiders, and in border towns amongst hill tribe villages and their …


The journalist-turned-photographer shining a light on Beijing’s underground workers

Having discovered a passion for photography as a teen, Sim Chi Yin spent nine years as an adult writing for The Straits Times, Singapore’s English daily, before returning to image making. “I’ve had to remind myself that a good text subject might not be a strong picture project,” she says of the change. “And I’ve had to deal with switching from trying to be an objective reporter to being a closely involved fly on the wall.” She seems to be making a smooth transition, though – Rat Tribe, which documents the lives of low-income workers in Beijing, was presented at Rencontres d’Arles in 2012, and her coverage of the Burmese spring was shown at the Nobel Peace Center in Oslo the same year. In 2013, she was nominated for the W. Eugene Smith Grant for Humanistic Photography for Dying to Breathe, an ongoing series on a Chinese gold miner and she is also a member of VII Photo Agency, having been part of their mentoring programme. Born in Singapore, Sim is now based in China, where taking photographs – or, …


BJP Staff