He’s best-known for his work with British and Italian Vogue, but Tim Walker is also a successful solo artist, opening his third solo show at London’s V&A on 07 September (his first two were also in London, at the Design Museum in 2008, and at Somerset House in 2012). The exhibition will feature a “brand new body of work inspired by the V&A’s collection,” stated V&A director Tristram Hunt as he announced the show yesterday, adding: “He will work his magic and come up with a series of photos.”
Starting his career by working in the Condé Nast picture library, where he worked on the Cecil Beaton archive for a year before university, Walker went on to assist Richard Avedon and shot his first story for Vogue at the age of 25. Famous for his use of elaborate sets, Walker is collaborating with celebrated British art director Shona Heath on his V&A show, which will include photographs, films, sets and installations around the museum.
Europe boasts more than a hundred photography festivals, but few match the scale and ambition of Photo España in Madrid. This year, the organisation behind it, La Fábrica, celebrates the festival’s 20th edition with a typically eclectic summer season of activities throughout the Spanish capital, encompassing the work of more than 500 artists across dozens of venues that range from the small to the iconic. “The festival is a collective project with a wide variety of institutions, both public and private, supporting it,” says director Claude Bussac, who is hoping that the 2018 edition will “push forward both the formal and geographical boundaries of photography… We aim to celebrate our 20th anniversary questioning photographic meaning and inviting photographers from every continent.”
Erwin Blumenfeld proved himself to be one of photography’s greatest pioneers during his 35-year-long career, breaking new ground in formal experimentation, developing innovative concepts through his fashion shoots, and enjoying unprecedented commercial success as a result. And yet the division of his archive – some 30,000 negatives and 8,000 prints distributed among his family after his death in 1969 – has left Blumenfeld’s impressive oeuvre somewhat underappreciated in the years since. Erwin Blumenfeld: From Dada to Vogue, is the most comprehensive retrospective of his work for nearly 20 years, is aiming to change all that. Curator Lou Proud collaborated with Yorick Blumenfeld, one of the photographer’s three children, to create an overview of his extensive archive that comprises 85 works spanning portraiture, collages, nudes and fashion photography. The exhibition, at Osborne Samuel gallery in London, is subdivided in chronological order according to his own biography: Berlin, Amsterdam, Paris and New York. Blumenfeld’s entry into photography was somewhat serendipitous: in the early 1930s, while running a leather shop in Amsterdam, he uncovered a fully equipped darkroom behind a boarded-up …