“You’ve probably never heard of Feng Li’s photography,” wrote Leo de Boisgisson in American Suburb X in March; that was true at the time, but it’s changed rapidly since September, when the Chinese artist was nominated for the prestigious Paris Photo-Aperture Foundation First Photobook award. He made the shortlist for his first publication, White Night, which was published by Jiazazhi Press in July and contains 160 images shot from 2005-2015. The title is inspired by the Bible, specifically the Book of Job and a phrase which reads “They meet with darkness in the daytime, and grope in the noonday as in the night”.
“I hope the project can make the audience feel like they walking through a cloud of mist.” Zhao Qian, a Chinese photographer living in San Francisco, has recently been announced as a runner-up in this year’s BJP Breakthrough Awards. His series, Offcut, the edge, is inspired in part by the feeling of jetlag, which he describes as creating a fog on his surroundings.
“I meet people with more empathy and more care towards one another in war situations or in conflict around the world than I have ever experienced in Europe. People want to share the little they have with me because I have talked to them and shown an interest in them,” says Jan Grarup. His work has taken him to the sites of the worst conflicts – from obvious examples such as Iraq and Iran, to forgotten areas like the Central African Republic. Each place he visits, he stays to learn about the culture and customs of the people before taking their photographs. In these places of despair and destruction, Grarup often finds hope and resilience. But the Western world needs to be more active and share the responsibility to help these regions return to a peaceful existence.
“The beautiful blooms seemed lonely and desolate. Sadly, it reminded me of the fact that soon it would be razed to the ground, into dull but common urban landscape with standing skyscrapers,” says Lv Meng. His photograph comes from the series Urban Fringes which explores the growth of megacities as the slowly expand outwards and take over the countryside.
The Forest Finns, an officially recognised minority culture in Norway, arrived in the Finnskogen area in the early 17th century, bringing their traditions to the remote forests.Terje Abusdal’s series, Slash and Burn, which has now been named the winner of the Leica Oskar Barnack Award 2017, reveals their customs and questions identity and migration in the region.
Lianzhou has developed a reputation as an important international location for Chinese photography, having hosted an annual photography festival since 2005. Now it is hoped that the opening of a brand new museum of photography this December will cement Lianzhou as a destination for national and international photographic excellence.
Born in Denmark in 1976, Jacob Aue Sobol studied at the Fatamorgana Danish School of Art Photography from 1998-1999. In Autumn 1999, he went to live in the Tiniteqilaaq settlement in Greenland, and mainly stayed with his Greenlandic girlfriend Sabine and her family for the next three years. The resulting book, Sabine, was published in 2004, and nominated for the 2005 Deutsche Börse Photography Prize. In 2005, Aue Sobol travelled with a film crew to Guatemala, to make a documentary about a young Mayan girl’s first journey to the ocean. The following year he returned alone and he met the indigenous Gomez-Brito family, and stayed with them for a month. His story on the family won the Daily Life Stories award in the 2006 World Press Photo. In 2006 he moved to Tokyo, and shot a series of images that won the 2008 Leica European Publishers Award. I, Tokyo was published by Actes Sud (France), Apeiron (Greece), Dewi Lewis Publishing (Great Britain), Edition Braus (Germany), Lunwerg Editores (Spain) and Peliti Associati (Italy). Sobol became a nominee at Magnum Photos in 2007, and a full member in 2012. Aue …
Catherine Hyland’s fascination with landscape is the inspiration behind her otherworldly large format images depicting humanity’s attempts – some more effective than others – to tame the environment. It’s an observation that has led to both artistic and commercial commissions, with residencies at venues such as the Focal Point Gallery in Southend for the Radical Essex programme, the Cultural Association Su Palatu Fotografia in Sardinia and the Design Museum in London. She has also made a short documentary for the Sri Lanka Design Festival on the country’s eco-factories.
Liverpool – home of The Beatles, a passion for football and the unforgettable Scouse accent; Hong Kong – one of the world’s key financial centres, towering skyline, exotic cuisine and ongoing violations of human rights. It might seem unlikely, but there are parallels to be drawn. Both are historically part of the British Empire and both brazen a rich maritime past with large trading ports still used today – perhaps one reason why the northwest England metropolitan borough is home to the oldest Chinatown in Europe and some 10,000 Chinese residents. It comes as no surprise, then, that Liverpool’s biennial International Photography Festival, curated by Hong Kong-based Ying Kwok, hones in on this complex, age-old relationship for its upcoming edition – which opens on 07 April. Sarah Fisher, the executive director of the Open Eye Gallery, the central venue for a number of specially-commissioned exhibitions at the festival, explains that today’s 10,000 residents are a fusion of two communities – the second and third generation Cantonese speakers from Hong Kong, “whose parents established Chinatown”, and those …
Yan Wang Preston’s Mother River is both a physical odyssey through China and a metaphor for its evolution, travelling from the traditional culture still seen to be seen at its source through to the rampant modernisation approaching its mouth. “Modernisation is reaching everywhere in China, although in Tibet the degree of modernisation is not the same as in Shanghai,” Wang Preston tells BJP. “I wanted my pictures to document this gradual change along the river’s journey.” Born in China, Wang Preston originally studied Clinical Medicine in Shanghai – a family choice which she had never felt passionate about, she says. She worked as an anaesthetist for three years after graduating, but eventually quit took a break to go rock climbing. “During this process, I met a British climber and ended up marrying him,” she says. “I knew that I’d come to live in the UK at some point.” Making the move in 2005, she found that “the prospect of living a new life in a new country presented itself as an opportunity to choose my own destiny”. A keen …