“They’re all driven by motivations that are both personal and political to a degree, and they are all self-initiated projects,” says curator Alona Pardo of the photographers in the show Another Kind of Life: Photography on the Margins. “Some may have started as commissions, but very early on took on a life of their own. It was interesting to think about the role of the photographer, because often the photographer hides behind the camera as a facade. There is also an interesting subtext of the photographer occupying the position of an outsider within mainstream society. They are there, assertively documenting the world.”
“People say that John was brilliant but tricky, but he was only difficult if you were being mediocre,” says Sacha Lehrfreund, John Reardon’s long term partner and one-time colleague. “In a professional capacity he wanted to be excellent. He pushed it beyond a point that was comfortable for lots of people, but he made you better than you might otherwise be.”
“John Reardon was an artist,” says Greg Whitmore, picture editor of The Observer and another former colleague. “You can see it the photographs of Handsworth cricket fans, the Kosovan woman and baby, the portrait of Fergus Henderson…John was one of the greats of his generation.” John Reardon, a celebrated photojournalist who went on to shoot equally celebrated celebrity portraits for The Observer, has died aged 66.
Vanessa Winship’s biggest UK show to date, the first UK retrospective of Dorothea Lange, and a huge group exhibition including work by photographers such as Mary Ellen Mark, Dayanita Singh, Alec Soth, Chris Steele-Perkins, Daido Moriyama, Diane Arbus, Pieter Hugo, Bruce Davidson, and Boris Mikhailov – they’re all coming up this year at London’s Barbican Centre, in a season titled The Art of Change.
Martin Parr, Bill Brandt, Karen Knorr, Shirley Baker, Brian Griffin, Daniel Meadows, Chris Steele-Perkins, Mark Power, Tom Wood, Roger Mayne, and Tony Ray-Jones are all showing work in a new exhibition hosted by Burberry during London Fashion Week (and beyond). Installed over three floors in Burberry’s new show venue – the 18th century, Grade 2-listed Old Sessions House in Clerkenwell, London – Here We Are will include over 200 images by more than 30 photographers from 18 September-01 October
Magnum photographer Chris Steele-Perkins is currently showing classic work in London, in the prestigious agency’s headline anniversary shows. But he’s also showing his most recent project, The New Londoners, at a Photo London fringe event – the Fix Photo Festival
“I liked Holkham because it had a foot in the real world,” says the Magnum photographer Chris Steele-Perkins. “Country estates tend to be very isolated, so they could have politely told me to piss off.” A Place in the Country covers Steele-Perkins’ twelve months photographing the 26,000-acre Norfolk home of the Coke family, whose ancestry have lived in the estate since the mid-18th century. The book is a thoughtful, intimate nod to the traditions and beauty that define the English countryside – a part of life Steele-Perkins felt he had neglected for too long in his longstanding career as a documenter of British culture. [bjp_ad_slot] “I had touched on country estates around county Durham for my book Northern Exposures,” he says. “But I still always drove past the big walls of the grounds and wondered what really goes on within them. “So I went in with a lot of curiosity, and left any expectations of clichés or stereotypes at the front gate. I made sure Lord and Lady Coke knew that, and they were very open to me being …