London-based publisher MACK Books is one of the world’s best-respected photobook makers. A leading producer of contemporary books, working with some of the most established artists in the field, MACK has also won acclaim for republishing hard-to-find classics such as Masahisa Fukase’s Ravens and Luigi Ghirri’s Kodachrome, and for supporting and promoting emerging artists, particularly through its prestigious First Book Award. In addition, MACK has published several books compiling writing on photography by artists such as Joan Fontcuberta, Allan Sekula and Victor Burgin. MACK was originally set up as steidlMACK in 2004 and was part of the Steidl publishing house, but its founder, Michael Mack, left the German company to go it alone in 2010. Now MACK’s work to date under both imprints is being showcased at the Centre for Contemporary Photography in Australia, in an exhibition presented by Perimeter Books which features over 200 books and special editions, including MACK’s pioneering experiments in digital publishing via MAPP Editions. In most cases, visitors are able to hold, handle and read these rare and sometimes out-of-print photobooks.
The writer, curator, lecturer, and founder of Self Publish, Be Happy picks out his top five of the year – including Shanghai-based studio Same Paper
Patricia Karallis and Giada De Agostinis, founding editor and editor of the online photography magazine, pick out their top five of the year – including Vincent Ferrané’s book Milky Way
“Copyright has never interested me,” said Richard Prince in 2011, according to a photographer suing him for image appropriation (and as reported in The Guardian). “For most of my life I owned half a stereo, so there was no point in suing me, but that’s changed now and it’s interesting… “So, sometimes it’s better not to be successful and well-known and you can get away with much more. I knew what I was stealing 30 years ago but it didn’t matter because no one cared, no one was paying any attention.” They’re paying attention now, and Prince’s work is now included in a group show at London’s Skarstedt gallery – Double Take, which also includes work by Roe Ethridge, Collier Schorr, Anne Collier, Barbara Kruger and Robert Heinecken (among others). Spanning from the 1960s to the present day, the show focuses on art that appropriates images, to show “the power of pictures in shaping ideas of identity, gender, race, desire and sexuality”. “The great thing about appropriation is that even though the transformation reads as fiction, everybody knows …