“The photography in The Face highlighted the important fact that none of these cultural things existed in a vacuum,” says Paul Gorman. “It was nearly always reportage.” In his new book The Story of The Face: The Magazine That Changed Culture, the long-standing author and music journalist hopes to show just how important the iconic magazine was in shifting British perspectives on culture – and how photography helped it do so. Founded in 1980 by Nick Logan, the same man behind NME and Smash Hits, The Face was one of the first UK magazines to champion youth and counter-culture, fashion, music and film under one banner, and in doing so, argues Gorman, helped launch some of the most influential music, fashion and documentary photographers of our time, including Sheila Rock, Corinne Day, Juergen Teller, Nick Knight and Ewen Spencer.
Preconceptions and stereotypes about Northern England are so entrenched that it can be hard to know how they got there, but curators Lou Stoppard and Adam Murray hope to change that this winter with a show examining how photography, fashion and art have developed in the region over the last century. And in doing so, they hope to demonstrate – and celebrate – North England’s immense influence on global culture and style. Running from 08 November-04 February at Somerset House, North: Fashioning Identity continues a show that Stoppard, SHOWstudio’s editor-at-large, and Murray, academic and lecturer at Manchester School of Art and Central Saint Martins, exhibited at earlier this year. Featuring over 100 works, the exhibition includes fashion photographers such as Alasdair McLellan, Corinne Day, David Sims, and Glen Luchford, but also documentary photography dating from the 1930s to the present day.