All posts tagged: Dewi Lewis

How to create a ground-breaking photobook

So you’ve thought long and hard about whether the time is right to make a photobook, and you’re sure there is an audience for your project; what’s next? If you want to make a book then you have to start physically making it, says Dewi Lewis, whose experience in publishing stretches over more than 30 years. “If someone is working on a project they are convinced is a book, my view is they should be continually putting together a dummy in its loosest sense – something where the work is sequenced,” says Lewis. “You need to see as you go where the gaps and strengths are. So it’s a case of continually printing out the images, putting them in a sequence, and living with it.” There is a lot to think about when deciding the look of your book, such as choosing which images to show, finding an effective way to translate those images to page, and refining the edit. Photographers should have their final selection of images ready and organised well in advance, advises …

2017-06-26T11:55:49+00:00

The first step to making a successful photobook isn’t what you think it is

To mark the launch of the Bob Books Photobook Award, a new competition from Bob Books, the UK based on-demand photobook printer, BJP is publishing a three-part series featuring advice on how to make and promote a photobook. In part one, publishing experts and photographers who’ve successfully made the journey share invaluable advice on what to think about before diving in. Producing a photobook is an important milestone in any photographer’s career, demanding a huge investment of time, energy, and resources. With so many photobooks being published every day and the bar to entry lower than it has ever been, how do you make a book that does your project justice, stands out from the rest, and most importantly sells? Publisher Dewi Lewis, who has been in the industry for more than 30 years and has worked on books with photographers including Martin Parr, Edmund Clark, and Stuart Freedman, says the starting point has to be for every photographer to ask why he or she wants to make a book. “Not enough photographers ask themselves …

2017-06-26T11:59:00+00:00

From Botoxed faces to yapping pooches: A glimpse inside the hidden world of the super rich

If there is a photographer who has a knack for being in the right place at the right time, it’s Dougie Wallace. For more than ten years, the East London-based Glaswegian photographer, has been turning his camera on everyone from stags and hens to Shoreditch hipsters, Bombay taxi drivers, and now the super rich. Getting uncomfortably close to his subjects with a double flashgun, Glaswegee as he is known creates colourful unforgiving images that reveal the unedited reality behind his subjects. We see stags trussed up like turkeys, scantily-clad women cavorting around London, and yapping dogs snarling into the lens. Few photographers get closer than this. In particular, Wallace’s Olympus-shot images of the global super rich in London’s elite districts of Knightsbridge and Chelsea paint a telling picture of glut and greed. This so-called ‘one per cent’ is the subject of Wallace’s Harrodsburg, a project recently published as a book by Dewi Lewis. It is nothing less than a visual satire on the ultra affluent elite and their exorbitant spending habits. Wallace, who is represented …

2017-03-10T11:38:49+00:00

Tulip: Quiet Images of a Mother’s Struggle with Cancer

“I like the fact that it’s very delicate,” says the London-based photographer as she leafs her newly published photobook. “The white cloth gets dirty and scuffs very easily, which says something about the book. It’s a delicate project.” She closes it, passes it over the table, and returns her hands to her lap, nuzzling them into an oversized forest green jumper. A minute ago they were covered in the oil of a broken bike chain. We are sitting at one of the clusters of rickety tables and chairs in a cafe in Dalston, just below her studios, which the photographer shares with a host of artists and architects. To our left, an empty stage; a roaring baby to the right. Tulip, so-called after her mother’s favourite flower, is a collection of 84 images. Each is powerful, yet also quiet, disinterested in bombast. On each page, the eye is drawn to a detail, as subtle as a strand of hair or as prominent as a half-eaten plate of food. Together, the images gently develop into a deeply emotional …

2016-04-13T17:41:42+00:00

The last gasps of Norwegian rural life

At first glance the Bjelland siblings, Edvard and Bergit, are unremarkable. They grew up along four other siblings in Brusand, Jæren – a remote village on the south-west Norwegian coast, on a farm which dates back to the 1800s and has passed through their family for four generations. On the farm, horses, cows, pigs, hens and over one hundred sheep were kept. But for Norwegian photographer Elin Høyland, the Bjellands represent something of significance, and worth preserving. When Høyland first met Edvard, Bergit has recently died, the livestock had been sold off and the land was now rented out. He was now alone, save a handful of sheep he continued to look after. The rural existence that defined the land for centuries was now slowly vanishing from sight. This view was shared by Norwegian regional arts institute Hå Gamle Prestegård. They commissioned Høyland, who was shortlisted for the Photo Folio Review Award at this year’s Les Rencontres d’Arles, to visit the Bjelland homestead and create a record of the 200 year old farmhouse (a listed building) and this lifestyle …

2016-01-13T14:32:24+00:00

Images from the faded and forgotten last outposts of the British Empire

For six years, Bath-based photographer Jon Tonks worked on a long-term personal project, culminating in the book Empire, published in December 2013 by Dewi Lewis. He travelled to a series of remote British Overseas Territories in the South Atlantic Ocean, which included St Helena, Ascension Island, Tristan da Cunha and the Falkland Islands, documenting the people and places from these last remaining pockets of the empire. “On each of the islands, I would spend the first week not taking many pictures, discovering who and what was most interesting, and getting to know people so they would understand why I was there,” he says. “This was particularly important on Tristan da Cunha, a remote British territory in the South Atlantic with a population of 259. They were a little shy and wary of random people turning up on their island with a camera.” Tonks would drive around the islands looking for locations to shoot, and arranged times to take people’s portraits. Yet within this self-imposed structure, he also allowed himself to record what he stumbled across by chance. “Studying photojournalism …

2015-08-28T13:36:39+00:00

BJP Staff