All posts tagged: editorial

The photographer inspired by stoners to mix high fashion with everyday objects

Having graduated from New York’s School of Visual Arts four and half years ago, David Brandon Geeting has already exhibited at Art Basel Miami Beach and shot for the likes of Nylon, The Fader and The New York Times T Magazine. He is clearly a rising star, but modestly comments that “every time I make new work, I feel like I’ve never made art before,” adding, “I also have a hard time learning from experience; I hit my head on the same low ceilings every time. I hope my work looks as if someone who just hit their head on a ceiling is trying to make art for the first time.”       These images come from a shoot for Surface magazine and show off clothes by Maison Martin Margiela, but Geeting is irreverent about high fashion too, noting that he and creative director Zak Klauck paired the clothes with everyday items because “the Margiela couture was so ridiculous”. Done at “the cheapest studio I could find, with off-brand strobes, a modest collection of seamless …

2015-11-09T14:49:48+00:00

The surreal dreamscape of Ukrainian photographic duo Synchrodogs

Since Synchrodogs featured in our September 2012 issue, the Ukrainian photography duo have continued to gather momentum. Commissions for Tania Shcheglova and Roman Noven include Croatian eyewear design Sheriff & Cherry, a shoot for New York Magazine, and a portrait assignment for Dazed & Confused photographing their compatriots, the protest group Femen. Their recent project, Reverie sleep, sees Synchrodogs explore their dreams – the space between wake and sleep that is both familiar and remote. “The project deals with the stage of non-rapid eye movement sleep, during which some people may experience hypnagogic hallucinations caused by the natural process of falling asleep,” they explain. “Experimenting with those lucid dreaming techniques, we usually wake ourselves up in the middle of the night to make a note of what we have just seen, gathering our dreams to be staged afterwards.” This project has a distinctly surreal feel, but the duo’s work always builds on the uncanny and the strange, often including naked or semi-clothed figures hiding their faces and holding contorted poses. Their models are often shown against …

2015-09-14T12:44:43+00:00

Remembering Mary Ellen Mark

From the 1940s until perhaps the early 90s, an empathic documentation of everyday life appeared weekly or monthly in the world’s illustrated magazines, a medium whose appeal lay almost wholly in its use of outstanding photography, by great practitioners. It was a time, Mary Ellen Mark recalled, when “the magazines really needed photographers, especially documentary photographers. When they flourished you could bring an idea to a magazine and they would do it. Sadly that time is over”. Nonetheless, she worked on very successfully until the end of her life, combining documentary reportage with commercial assignments in fashion and advertising and portraiture. She was as adept in the studio as in the street, and as at ease with a Leica as she was with an ultra-large format studio camera. Faithful to film photography to the end, she never felt attracted to digital: “I’m staying with film, and with silver prints and no Photoshop …[that’s] the way I learned photography. You make your picture in the camera,” she said in 2008. Born in Elkins Park, near Philadelphia, …

2015-05-28T18:02:04+00:00

BJP Staff