As the apps we use become a bigger part of our daily routines, the line between our digital and real lives is increasingly blurred. “But there’s a tension point where privacy comes in which makes everything even more complicated,” says VICE editor in chief Ellis Jones. How much of ourselves do we share publicly and how do we decide which pieces to share? Which labels do we use to describe ourselves? And how do we avoid others imposing labels onto us? These are a few of the questions posed in “The Privacy and Perception Issue”, VICE’s annual photography magazine.
Launched last year, Labs New Artists is a exhibition of up-and-coming artists at the prestigious not-for-profit gallery, which has spaces in Brooklyn and in Los Angeles. The photographers picked out aren’t represented by galleries or agencies, and are selected by a global jury of experts; this year, each juror has agreed to mentor an artist for the year following the show.
The 25 artists in the show this year are: Antone Dolezal, US; Eli Durst, US; Peyton Fulford, US; Matthew Genitempo, US; Rudi Geyser, South Africa; Li Hui, China; Andrew Jacobs, US; Brendan George Ko, Canada; Kovi Konowiecki, US; Maria Lokke, US; Daniel Jack Lyons, US; Pat Martin, US; Chase Middleton, Australia; Tyler Mitchell, US; Diego Moreno, Mexico; John Francis Peters, US; Luis Alberto Rodriguez, Germany; Scandebergs, UK; Marcus Schäfer, UK; Hugo Scott, UK; Christopher Smith, South Africa; Renate Ariadne Van Der Togt, UK; Drew Vickers, US; Juyan Wang, UK; and Logan White, US.
When George Pitts died earlier this year, Vice photo editor Elizabeth Renstrom was struck by how much he had influenced her work and her approach to photography. Deciding the theme for this year’s photo issue seemed a natural progression: Idols. The issue presents up-and-coming photographers alongside the more established names that have made a big impact on their craft.