“Most people would walk by a dump pile and assume that there’s no picture there,” says global industrial landscape photographer Edward Burtynsky. “But there’s always a picture, you just have to go in there and find it.” Born in Canada in 1955, Burtynsky has been investigating human-altered landscapes in his artistic practice for over 35 years, capturing the sweeping views of nature altered by industry; from stone, to minerals, oil, transportation, and silicon. “Of course, it’s important to me to make sure that my pictures are attractive to the eye,” he says. “But beneath the surface there’s always a bigger, deeper environmental issue.”
With €10,000 up for grabs to realise a project, the Greenpeace Photo Award is a great opportunity – and this year, the public decides who wins. Run with support from Geo Magazine, an awards jury has shortlisted seven photographers to choose from, each from a different country and each working on a series with an environmental theme.
The public has until 31 October to vote on the winner; a further €10,000 will go to a second winner selected by the jury, which this year includes curator and lecturer Lars Willumeit, and Geo Magazine chief photo editor Lars Lindemann.
The shortlisted photographers are: Niels Ackermann (Switzerland); Magda Biernat (USA); Arko Datto (India); Niklas Grapatin (Germany); Katrin Koenning (Australia); Pablo Piovano (Argentina); and Ian Willms (Canada).
“In my youth, I had a significant dream about the area of the Alta Amazonia, the place where I later based my project,” the Italian photographer Nicola Ókin Frioli tells BJP. “One day I met someone who confirmed I had a kind of calling to this area and advised me to go.” Ókin took his first trip to the Ecuadorian Amazon in January 2015, which coincided with the 20th anniversary of the Alto Cenepa War, a conflict that broke out between Ecuador and Peru over disputed territory from 26 January to 28 February 1995. “It was a war of the governments, not of the natives. Yet they participated anyway as civilians in support of the inexperienced military,” explains Ókin. “For the indigenous people, particularly the Shuar and Achuar, it was a resistance because their territory was in danger.” Now, the indigenous communities are facing another imminent threat – that of large-scale mining. Rich in copper and gold, the Shuar and Achuar territories are in danger of being exploited and its inhabitants risk being forcibly …
The November issue of BJP takes you on a round the world trip with Journeys. From the markets of Lagos to the search for Jesus across the world, these are more than just trips; these journeys will alter your way of looking at the world.
“I’m not concerned with being an environmental photographer, I’m concerned with making images that make you feel something you can’t quite understand. There’s something that happens when you’re presented with what you can’t quite fathom.” In Matter, Michael Lundgren explores deserts in Spain, the US and Mexico but his landscapes are a departure from more traditional photographs in this field. He wants us to question the world around us and find a magical realism in life, death and our environment.