All posts tagged: exhibition

From the BJP Archive: Thomas Ruff

On the face of it, Thomas Ruff has radically altered course since his first major series brought him to international fame in the mid-1980s. He followed his portraits of fellow students at the Düsseldorf Art Academy (where he was studying photography with the legendary Bernd and Hilla Becher) with photographs of modern architecture in the 1987-1991 series Hauser, and then began working with appropriated images. His 1989 series, Sterne, used astronomical panoramas from the European Southern Observatory, for example, while his Zeitungsfotos made during the 1990s took images culled from newspapers. Over the following decade he has continued working with the vernacular, incorporating source material such as manga comics which he manipulated into colourful abstractions (Substrat), highly pixellated images he downloaded from the internet (Jpegs), and an archive of glass negatives found in a factory archive from the 1930s and 40s (Machines). But while Ruff is happy to admit his techniques change from series to series, the concept behind his work has remained consistent. In an interview for his latest catalogue he told Hans Ulrich …

2017-08-16T13:40:17+00:00

Gazebook Festival Preview

Now in its third year, the Sicilian photo festival is tackling big issues under a theme of “Communication in uncertainty and chaos”. The idea is telling of its locale: a crucial crossing point in the Mediterranean and an entry gateway to Europe, Sicily has been at the centre of the migrant crisis as people cross the sea in search of peace and a better life. The photographs in this series cover ideas of identity, politics, war, nationality, feminism and more.

2017-08-10T12:01:27+00:00

Jo Metson Scott believes there is no formula behind a perfect portrait.

” I always feel like I am (metaphorically, and sometimes physically) skipping or hopping around a person waiting for the moment I get something interesting from them, waiting for the moment it goes from being quite ordinary to being something powerful or compelling.” Jo Metson Scott, a winner in BJP’s Portrait of Britain 2016, shares how to capture the perfect moment –

2017-06-21T20:37:57+00:00

Daniel Castro Garcia’s first solo exhibition FOREIGNER opens

“It’s time to leave! If you must die, die in the open sea! You must not return. If any of you come back you’re dead. If any of you come back and report me, you’re dead. If you have to die, you die all together! Now go!” With these words, Aly Gadiaga, one of the migrants portrayed in Daniel Castro Garcia’s Foreigner project, describes his journey from the Libyan coast to Italy. Gadiaga tells his story in a long interview recorded by the artist and included in his exhibition at London’s TJ Boulting, his prize for winning the International Photography Award 2017. The work on show is delicate and sensitive, a far cry from the sensationalised accounts often offered up in the press. “We are all foreigners,” says Castro Garcia, adding that he hopes to inspire respect rather than pity. “It’s not just about respecting those in the photographs – the audience also deserves respect,” he says. “At the heart of this work was the desire to create a dignified response to this humanitarian crisis, …

2017-03-20T15:23:30+00:00

The day 100,000 Iranian women protested the headscarf

On 7th May 1979 the Iranian newspapers announced a new law had been passed stating all women must wear a headscarf in public. The following day, more than 100,000 women took to the streets to protest. Photographer Hengameh Golestan was there to capture it. “They were demanding the freedom of choice,” Golestan says. “It wasn’t a protest against religion or beliefs, in fact many religious women joined the protest, this was strictly about women’s rights, it was all about having the option.” Despite these demonstrations, the law remained, and newspapers declined to publish Golestan’s pictures. One of only a handful of female photographers working in Iran at the time, Golestan had started taking photographs seven years earlier, at the age of 18. She was inspired by her husband, the late Kaveh Golestan, who died in 2003 after while working in Iraq for the BBC. “I started as his assistant and then continued from there,” she says. “In the days before selfies, Photoshop and citizen journalism, photos were vital, a visual document that might otherwise not …

2015-09-08T14:57:58+00:00

Five minutes with…Clare Strand

From photographs inspired by crime scenes to pseudo-scientific experiments, Clare Strand has always marched to the beat of her own drum – and her latest exhibition, Getting Better and Worse at the Same Time, is no exception. Featuring The Happenstance Generator (a machine that blows around images from her research projects) and The Entropy Pendulum (a moving arm that swings backwards and forwards over one of her prints), it’s a quirky, animated take on photography and kinesis that, like her previous projects, is somehow held together by Strand’s idiosyncratic, retro-futuristic aesthetic. BJP took five minutes with the artist to find out more. BJP: Is the work in this exhibition all new, apart from The Happenstance Generator? Clare Strand: It’s all pretty much new – there are few pieces that have been shown but never in the context of a cohesive show. BJP: Did you make it all for the show? Or have you just had a particularly fruitful time of it recently? CS: Yes, most the works have been made for this show. I like working …

2015-05-05T10:56:09+00:00

BJP Breakthrough – judges announced

We are pleased to introduce our judges for the inaugural BJP Breakthrough Awards, our prestigious photography award singularly capable of connecting the next generation of photographers with the established photography industry. The judges have been handpicked by the British Journal of Photography for their photographic expertise, industry influence and special interest in emerging talent. Joining the panel from the British Journal of Photography is Editorial Director Simon Bainbridge who has guided the magazine for the last 11 years, and our Online Editor Tom Seymour, formerly the film editor of i-D magazine, and a feature writer for The Guardian and Independent. BJP Projects Editor Gemma Padley, who writes on photography for The Telegraph and Photomonitor and will also be joining us. Also judging the entries are esteemed photographers Laura Pannack whose prizes and nominations include the World Press Photo, The Sony World Photography Awards, The Magenta Foundation and Lucies IPA, and Lewis Chaplin, co-founder of publishing house Fourteen Nineteen and creative studio Loose Joints. The panel is completed by photography curator Leo Scott, who has worked on exhibitions and projects with the likes of Nadav Kander and Rankin, and Sebastian …

2015-04-17T13:11:10+00:00

BJP Breakthrough Awards – Call for Entries

BJP

British Journal of Photography is proud to announce our inaugural BJP Breakthrough Awards, a prestigious photography award singularly capable of connecting the next generation of photographers with the established photography industry. We are inviting photographers on undergraduate courses, and within five years of graduating (including current MA students), to submit work to be judged by an influential panel of leading industry professionals. Photographs can be captured in any format – film, digital or mobile – and can be of any style or genre. The competition is open to students and graduates from around the world. In partnership with Olympus, Free Range and theprintspace, winners will have their work exhibited at British Journal of Photography’s dedicated pop-up exhibition space in Shoreditch, East London’s creative hub. The four category winners will have their work presented by our editorial team at an exclusive launch event, and gain international exposure through our award-winning online and print channels. DEADLINE FOR ENTRIES: 12 noon (GMT) on Friday 8th May 2015. For more details go to our dedicated BJP Breakthrough website. 

2015-04-17T13:48:09+00:00

Smoke and mirrors

With just a couple of weeks until his exhibition opens at TJ Boulting Gallery, Dominic Hawgood is hard at work finalising the prints. His project, Under the Influence, is a deliberately stagey look at the theatrics of modern-day Churches, so he’s creating a carefully controlled, immersive installation to show it off. “The priority is finding a way to control the lighting in the room, to make sure we can create atmosphere for the work to sit in,” he told BJP earlier this month. “It’s about using a few elements in the space, just to change it enough to create a certain feeling.” Hawgood won the show after scooping the series category of BJP‘s International Photography Award, and is working with competition sponsor Spectrum Photographic to create it, making two lightboxes and five large black-and-white vinyl prints that will be stuck directly to the wall. “I’ve worked with LED panels, dim reflectors and bounce light, to try and contrast the glossiness of the screens and the matt finish of the vinyl,” he explains. “Hopefully, when all …

2015-04-17T14:12:56+00:00

New Japanese Photography at the Doomed Gallery this weekend

What do Daisuke Yokota, Go Itami and Kenji Hirasawa have in common? They’re all showing work at an exciting but fleeting exhibition of emerging Japanese photographers at Doomed Gallery this week. Featuring a photobook showcase, a projection of images by nearly 100 photographers, and installations by Itami and Hirasawa plus Daisuke Nakashima, Hiroshi Takizawa, Mai Narita, Naohiro Utagawa and Yukihito Kono, New Japanese Photography opens with a private view and party from 6pm on 22 January, and closes on 25 January. The gallery is open from 4pm-8pm on Friday and from 12pm-8pm on Saturday and Sunday; Naohiro Utagawa and Yukihito Kono will be at the gallery on the opening night for a book signing. [bjp_ad_slot] The exhibition is curated by Space Cadet, an online gallery launched by Masayoshi Suzuki in 2011, and Stay Alone, a platform and publishing house for artists launched by photographers Suguru Ryuzaki and Yukihito Kono in 2013. The curators hope to show the vibrancy of the contemporary Japanese photography scene, they say, moving it out of the long shadow cast by the 1960s Provoke movement. Doomed Gallery is based at 65-67 Ridley …

2015-04-17T14:15:43+00:00

BJP Staff