All posts tagged: feminism

Susan Meiselas on shooting Carnival Strippers

“It’s getting near show time!” the voice would boom out over the cheers of the punters. Susan Meiselas would hover at first near the back of the tent. “Don’t be shy, take your hands out of your pockets, take your money out of your wallets. Rest your elbows on the stage and look up into the whole, the whole goddamn show. Show time! Where they strip to please, not to tease!” Susan Meiselas was 24 when she started Carnival Strippers. It was the summer of 1972, and her photography experience was limited to portraits of her housemates in Cambridge, Massachusetts. She had just completed an MA from Harvard, yet she still was shy and unsure of herself – very unlike the direct intellect of today, who treats Magnum’s offices like second homes.


Ones to Watch: Farah Al Qasimi

With a Lebanese-American mother and an Emirati father, Farah Al Qasimi has lived much of her life between the United States and Abu Dhabi, where she grew up. Now completing a Master of Fine Arts at Yale, she is still oscillating between her two home nations, and producing work that explores home, belonging, representation and clarity.


Jo Spence’s iconoclastic self-portraits ridiculing outmoded gender stereotypes

‘It is essential that this important exhibition is seen by as many women as possible. To do this we need money – to make it fit to travel all over Britain. Please help and send donations to:- “The Hackney Flashers Collective” who took all the photographs and organised it.’ Written in red marker pen, the appeal appears on a poster made in 1975 by socialist-feminist collective The Hackney Flashers. With their travelling exhibitions, Jo Spence and other members created influential agitprop materials as a way of confronting social prejudices. Their black-and-white prints – of women at work in factories; female machinists hunched over sewing machines; a mother holding a saucepan over the stove and a baby on her hip – helped campaign for equal pay in the workplace and better childcare provisions. “They wanted to operate in society and not as part of the art world,” says Elena Crippa, who curated the retrospective of Jo Spence’s work at Tate Britain. Using the flash of the camera as a pun on the revealing nature of photography, The Hackney Flashers …


BJP Staff