Paul Kooiker’s latest photobook, Nude Animal Cigar, is a peculiar hybrid made up of variations on the three themes revealed in the title. It’s as if the weirdest and most beautiful nudes, mournful animals and mysterious still lifes of cigar butts have been picked out from photography’s 176- year history. But although the images look old- fashioned, they have all been made within the past five years by this contemporary Dutch artist. Applying sepia filters to all the images, he lends the series a vintage and melancholy feel, and by virtue of the treatment knits this motley trio of monochrome motifs together.
“My work is successful if it is about looking, and about photography,” says Kooiker in his studio, located in a quiet street on the southern periphery of downtown Amsterdam. “Ultimately, my work is about looking, and looking is the ultimate act of voyeurism. It makes the work accessible, as everybody is able to recognise himself in this act. It also leaves the viewer confused. What I want to achieve is to make the public feel accessory to the images they witness.”
BJP has joined forces with 10 cultural institutions across Europe to promote emerging photography talent under the umbrella of a new photography network, named Futures. Initiated by Unseen Amsterdam and the fair’s owner, Vandejong Creative Agency, the platform launched in spring and continues with a series of shows, events and residencies across the continent, culminating in a large-scale exhibition at Unseen in September. The partners include museums and galleries in Hungary, Belgium and Italy, alongside photofestivals in France, Germany, Poland, Ireland and Romania. Each will present shows and events of their own talent programmes in their own countries, and then elements of these events will come together for the collaborative exhibition in Amsterdam, showcasing 10 emerging photographers from across the continent – a pick from each country. “We realised that we could do more to create opportunities for artists, and that is where we came up with Futures,” explains Menno Liauw, strategy director at Vandejong, which is coordinating activities, having created the platform in the mould of Unseen, the first art fair of its kind, …
Alighting at Peckham Rye train station in south London, a short walk across a busy market street takes you to the Bussey Building complex, a former cricket-bat factory that is now home to an assortment of bars, music venues, yoga studios and art spaces, including the Copeland Gallery. This bright exhibition space is once again the main site of Peckham 24 festival of contemporary photography, celebrating its third edition this year and running over the weekend of 18 to 20 May to coincide with Photo London – more than the 24 hours with which it launched and gave it its name. “Last year we were literally pushing people out of the door at midnight,” laugh the co-founders, Vivienne Gamble, whose Seen Fifteen gallery is in a nearby space, and artist Jo Dennis.