All posts tagged: found images

Photo London: Thomas Mailaender at Michael Hoppen

Known for his offbeat experiments with printing processes, Thomas Mailaender is an artist constantly pushing the limits of the medium. He’s worked with found images for 10 years and, as a consequence, tells me that: “I don’t think of myself as a photographer.” Often sourcing images from the internet, but equally happy to raid car boot fairs, flea markets, and charity shops, Mailaender says he is interested in “reproducing images rather than making them myself”. He is, he says, “a compulsive collector of photographs”.

2018-05-10T14:10:46+00:00

“What if birth, long shrouded and parodied by popular culture, was made visible?”

When she was a teenager, Ohio-based artist Carmen Winant discovered a collection of photo albums filled with pictures of her mother giving birth to her three children. “It was an amazing and slightly terrifying feeling to witness myself being born [in 1983],” she recalls. In 2016, Winant became a mother herself, and noticing a lack of visual work about the experience of giving birth, was moved to produce her own series. “Though it is so common, there is nothing normal about birth,” she says. “I wanted to create a visual, pictorial language that might contribute towards a greater, and more nuanced, understanding.” The resulting installation at New York’s Museum of Modern Art (MoMa) and the coinciding book, My Birth, incorporate her mother’s photographs of herself giving birth and found imagery of anonymous women undergoing the same experience, as well as a written piece by Winant exploring the shared yet solitary ownership of the experience of birth. Presented chronologically, the images trace the process of labour and birth from the earliest contractions to the breastfeeding of …

2018-06-19T10:09:39+00:00

Evolving attitudes towards women shown through vintage adult memorabilia

Hannah Farrell’s project, Close Your Eyes and Think of England, uses images found in vintage pornography magazines to explore notions of sexuality. “They are taken from early 1970s’ Penthouse magazines and other adult memorabilia, which I have collected over the past few years,” she explains. “What started out as an interest in the aesthetic of the photographs turned into a fascination with how the magazines comment on social movements of the time, particularly attitudes towards women. It’s interesting to explore the relationship between the evolution of photography and  how this is linked with changes in the female body.”     A graduate of Blackpool and The Fylde College, Farrell deliberately picked out images with earthy tones and natural light to play up a sense of nostalgia, but says this aesthetic also suggests a connection to the natural world and animal instincts – factors she emphasises in the still lifes she sets up. As such, her images feed into her ongoing exploration of nature versus culture, and how women in particular are socialised.         “I guess it …

2015-11-25T13:59:59+00:00

BJP Staff