All posts tagged: François Hébel

Mass exams pictured in Michele Borzoni’s Looking for a job

The numbers are just staggering – 2813 applicants showing up for nine nursery teacher positions; 10,000 for 14 policer officer roles; and 1099 for one nursing post. These are the Italian Civil Service exams, and Michele Borzoni photographed them for over a year, capturing their sheer size with a medium format camera and a perspective-correcting lens more usually used for large-scale architectural shots. “I wanted to emphasis this sense of mass, the loss of individuality, the person reduced to number,” he says. “The competitions are sometimes a humiliating path, because often they do not assess the individual capacity, at least not in the early stages of the competition.”

2017-10-11T13:52:56+00:00

Francois Hébel’s Foto/Industria opens tomorrow

Foto/Industria Biennial returns to Bologna, with 14 exhibitions centring around the idea of identity and illusion in photographs of work, curated by Francois Hébel and including image-makers such as Thomas Ruff, Josef Koudelka, Lee Friedlander, Joan Fontcuberta, Alexander Rodchenko, Mitch Epstein, Yukichi Watabe, John Myers and Michele Borzoni.

2017-10-11T09:25:16+00:00

The World is Not Beautiful – But It’s There, by John Myers

“I believe photographers have got to come to terms with the world we live in, not the world journalists like, which is spectacular and exciting and makes good copy,” says John Myers. “Photographers and sub editors and journalists, all kinds of journalist want a story. They want to sell papers, and what sells is something unusual. ‘Man with three legs marries 86 year old widow’, it makes a terrific headline. They’re not so interested in what’s going on down the road at number 83.” With photographs of garages, TVs, electricity substations, new builds and his neighbours, Myers’ images of urban life bear him out. Shot within walking distance of his house in Stourbridge between 1973-1981, his archive was part-funded by an Arts Council award, when he was an emerging photographer who’d also just shown at the Serpentine Gallery. But then it lay almost forgotten for 30 years – until Pete James, then-curator of photographs at the Library of Birmingham, came across it, and helped get Myers solo exhibitions at the Ikon Gallery in 2011, and the …

2017-03-02T16:05:28+00:00

François Hébel – after Arles, Bologna

“Whenever you see an exhibition here, make sure you look up first,” says François Hébel. We’re in the heart of one of the many Renaissance-era public buildings in Bologna. Frescos line the walls and ceilings, Madonnas and bambinis touching gods through partings in the clouds. The former director of Les Rencontres d’Arles has spent months in these lavish surroundings overseeing his latest venture, the second edition of the Foto/Industria Biennial of Industrial Photography. “The city is very special,” Hébel says. “My job is to try to match the work of the photographers with places such as this, and to provide a great variety of presentation with these incredible venues.” Hébel is artistic director of the biennial and his involvement with it is quite a coup. He has a bulging contacts book and an outstanding knowledge of contemporary photography – earned through his longstanding engagement with it – and has helped attract world- class talent. A huge projection of Canadian photographer Edward Burtynsky’s large-format Manufactured Landscapes plays out in a huge, cathedral-like hall. Kathy Ryan, photography director of The New York …

2015-10-30T17:16:26+00:00

BJP Staff