All posts tagged: Germany

August Sander: Men Without Masks

Born in 1876 in the German mining town of Herdorf, August Sander discovered photography while working at a local slagheap. Serendipitously meeting a landscape photographer working there for a mining company, he went on to assist the image-maker, and by 1909 had opened his own studio in Cologne. Around this time he also started taking portraits of his fellow-Germans, deliberately eschewing the then-prevalent pictorialist approach in favour of recording as much detail as possible. “Nothing seemed to me more appropriate than to project an image of our time with absolute fidelity to nature by means of photography,” he stated. “Let me speak the truth in all honesty about our age and the people of our age.”

2018-05-11T13:54:45+00:00

Bodyhacking and tech implants in Hannes Wiedemann’s Grinders

Grinders, which was nominated as a runner-up in this year’s British Journal of Photography Breakthrough Awards, focuses on a community of body hackers who undergo operations to add technology into their body. Like something out of a sci-fi novel, the group hope that slicing their bodies open will enable them to solve mankind’s problems through machine. The combination of man and machine is no longer futuristic fiction.

2017-08-01T10:29:56+00:00

The morning after the night before: inside Germany’s techno clubs

Long-time fans of electronica, André Giesemann and Daniel Schulz decided to combine their love of the German techno scene and photography in a joint ongoing project. The pair began collaborating in 2009 on Vom Bleiben, which features ghostly images of the insides of clubs after the ravers have left. Their images, taken on a large format camera with a 75mm lens, seek to record the emptiness of these spaces just after the club nights have ended – “the moment when the traces of the event become visible”, says Hamburg-based Giesemann. “Most of these clubs we know, and have experienced. In a way, this series is like an archive of clubs for me and Daniel, who is based in Berlin, since some of the buildings aren’t around any more. Sometimes they only exist for a while as temporary spaces.” In these images, the harsh light, made even more intense by the long exposures used by the pair (sometimes of several minutes), reveals the debris from the activities of the night before. Used beer bottles overflow on bar tops; discarded cigarette packets lie strewn …

2015-10-28T16:36:50+00:00

Leica SL (Typ 601)

Exclusive test: first impressions of Leica’s brand new professional system camera

BJP

In a world where we expect quite different things from a compact system camera and a single lens reflex camera, it might seem a little odd to name one of the former in remembrance of one of the latter. But perhaps we need to learn not to expect the expected from Leica – a company that seems to ignore what the rest of us consider logical. The new Leica SL (Type 601) is indeed a mirrorless camera, much in the style of the Olympus OM-D, the Panasonic GH and the Fuji X-T bodies, but while other brands do all they can to distance themselves from the ‘old fashioned’ SLR, Leica seems to be embracing it. By using the name ‘SL (Type 601)’, Leica suggests that this 2015 body is in some way a descendant of the Leicaflex SL – a film SLR born in 1968 that in turn fathered the R3 in 1976. The camera is substantial indeed, lacking all hints of the miniaturisation that we have come to associate with compact system cameras. None-the-less, …

2015-10-20T18:14:31+00:00

BJP Staff