All posts tagged: i-D

AWCA Creatives and a new wave of Nigerian photographers

Based in Lagos, Nigeria, A Whitespace Creative Agency is in the business of “creating narratives for a new vision of contemporary Africa”. It was set up in 2014 by Papa Omotayo after he “saw the need for creatives to have a platform and organisation that aimed to push new ideas being developed by a new generation of visual artists,” says Omotayo. “We sought to bring young dynamic creatives and pair them with local and international brands and organisations,” he continues, “whilst also developing personal projects and programmes that focused on art and culture as a currency and catalyst for change within the city of Lagos.” AWCA works with local and international brands and NGOs, creating lookbooks, campaigns, editorials, documentaries and films; it also works on projects presenting the cream of Lagos’ talent overseas. AWCA’s collaboration with Amaka Osakwe of Maki Oh won Best New Director at the Fashion Film Festival in Milan in 2016, for example; in 2016 AWCA took up a ten-day residency in London, showcasing some of its creatives, giving photographer Kadara Enyeasi a …


Jason Evans’ Flower Power celebrates colour and community

“The Garden Gate Project has a reputation in my neighbourhood,” says Jason Evans, who has just published a zine with participants from the Margate-based charity. “Established almost 20 years ago for people with learning difficulties and/or mental ill health, the Garden Gate Project is visited by various members of the community for a range of seasonal activities.” He was volunteering there two years ago when the organisers realised he was a photographer, and invited him to come up with ideas for the programme, which centres mainly on Horticultural Therapy. His first project with GGP was Tool Shed Dark Room, which saw Evans improvising with participants “without mains electricity or an enlarger to make photograms using materials from the garden”.


Suppressed memories of war in Frederike Helwig’s Kriegskinder

“I was born in 1968 in West Germany – that’s 23 years after 1945,” says Frederike Helwig. “One of my first memories of seeing images of the war was at my grandmother’s house, watching an antiwar movie about 16-year-old German soldiers defending a small village against all odds. I must have been 8 or 10 and I climbed into my brother’s bed that night utterly terrified by what I had seen with no explanation or guidance whatsoever. “This ‘shock’ education continued throughout school, where my generation was taught facts and figures about war crimes and atrocities committed by the Nazi regime. Nobody was able to articulate guilt or shame, or elaborate on the emotional side of what this meant for modern German society. No one ever asked the question why this had happened, let alone gave an answer. Why didn’t the history teachers encourage my generation to ask our grandparents about their experiences in the war? The perpetrators were always the others – names in history books.” Moving to the UK to study photography when she …


Ones to Watch: Nadine Ijewere

Nadine Ijewere has been interested in fashion imagery since she was a girl but it wasn’t until she studied photography at the London College of Fashion that she began to pick up on some of its more unsettling undertones – particularly the stereotypes used in the portrayal of non-Western cultures. The Misrepresentation of Representation, an early project that she completed at university reflected on Orientalism and how it came to rigidly define certain cultures for a Western audience.


BJP Staff