All posts tagged: image manipulation

On Post-Production: Delving into the practices of 3 critically-acclaimed photographers

On Post-Production, Part 1: Klaus Pichler on bringing together analogue and digital techniques The first in the series taking you behind the image. Photographer Klaus Pichler shares his secret recipe for post production and his creative know-how. Read Klaus’ feature here. On Post-Production, Part 2: An insight into photographer Dean Chalkley’s workflow In the second instalment of this series, Dean Chalkley talks authenticity, why having fun making pictures is important to him, and how post-processing is a means to an end. Read Dean’s feature here. On Post-Production, Part 3: Inside the fantastical world of photographer Simen Johan In the third instalment of this series which looks at post-processing in the photographer’s workflow, Simen Johan talks about how he creates his beguiling images and why digital capture and the best modern imaging software gives him the freedom he craves. Read Simen’s feature here. Sponsored by Adobe Make your best shots even better with Adobe’s Creative Cloud Photography plan. With all the photography essentials, such as Lightroom and Photoshop, you’ll have the world’s leading tools to help you craft …

2018-02-15T11:09:15+00:00

On Post-Production, Pt. 3: Inside the fantastical world of photographer Simen Johan

Scandinavian photographer Simen Johan, known for his flawless digital composite images, has been likened to a film director in the past. So it is fitting that the artist, represented by Yossi Milo Gallery in New York, dreamt of making movies when he was growing up. Inspired and encouraged by his step-grandfather, the American movie producer and director Rod E. Geiger, Johan went to film school in Sweden before relocating to New York in 1992 to study film at the School of Visual Arts. He switched to photography during his time there, and although Johan has made his name as a fine art photographer, it is clear filmmaking still fascinates him. “I was attracted to filmmaking’s ability to create an immersive experience, through image, sound and motion,” says Johan. “Movies by directors such as Stanley Kubrick, David Lynch, and David Cronenberg transported me to suspenseful, strange and psychologically-charged places that didn’t merely entertain, but revealed complex truths about life, people and the world. “Photography to me was the next best thing to filmmaking,” he continues. “I had taken …

2018-02-15T11:09:33+00:00

World Press Photo head Lars Boering on introducing stringent new Ethics Code to ensure ‘truth’ of entries

Lars Boering, managing director of the World Press Photo Foundation, has claimed this year’s World Press Photo awards will not be hamstrung by findings of image manipulation, after the introduction of a new Code of Ethics for all entrants. Boering said of the 2016 awards, which were announced today: “We are delighted by the outcome this independent jury produced, and ready to present an exhibition of powerful imagery to an audience that can trust what they see.” The new code of ethics ensured “a transparent and rigorous verification process,” he said, adding: “This resulted in many more entries being checked, but fewer problems than last year being found. In ten days, we will be releasing a detailed technical report reviewing the verification process, and we will then lead the public conversation on these issues.” Last year was not one World Press Photo will remember with fondness, with news breaking – on the day the winners were announced – that more than 20 percent of the final-round entries had been disqualified. The images in question, the jury had decided, had been manipulated after the …

2016-02-19T11:26:25+00:00

On its 25th birthday, how did photoshop change photography?

Photoshop, which is celebrating its 25th birthday today, began because Thomas Knoll liked to procrastinate. In 1987, Knoll was working on a doctoral thesis in computer vision at the University of Michigan. He developed the early stages of the software almost by accident; pioneering a tool that democratised photography for a generation of people, while spawning a debate in photography, and particularly photojournalism, about the validity and authenticity of imagery that continues today. For now, in the age of Photoshop, any photograph can be manipulated by anyone. Knoll grew up using a darkroom in his parent’s basement, and was a keen amateur photographer. As a way of wasting time, he began creating a collection of image-processing utilities for his brother John, who worked as a digital-effects specialist. The program, which he called Display, was soon being used by many of John’s friends at his company, Industrial Light & Magic. It started to get passed around by word of mouth, and the Knoll brothers started to pitch the product. A number of companies thought about it, …

2015-04-17T14:08:01+00:00

BJP Staff