“I’m a bit at a loss at the moment; to say that I’m honoured feels like an understatement,” says photographer Daniel Shea, who has won the 12th Foam Paul Huf Award. “I’ve been following this award and Foam for a long time, and I feel incredibly honored, grateful, lucky, and humbled by this opportunity.” Shea has won the prize with his series 43-35 10th Street, described as a reflection on late capitalism and its effects on New York City. He wins €20,000 and a solo show at the Foam Fotografiemuseum in Amsterdam, which will take place in Autumn this year.
Bruce Davidson has won a Lifetime Achievement prize in this year’s ICP Infinity Awards, which will be formally presented on 09 April. Best-known for his two-year project on the poverty-stricken residents of East 100th Street, Davidson joined Magnum Photos in 1958 and showed his work at the Museum of Modern Art in 1963. His work often documents social inequality, and includes iconic series such as The Dwarf, Brooklyn Gang, and Freedom Rides.
“We’ve had five great extinctions,” says Edward Burtynsky. “Now our species is having a similar effect – we are the equivalent of a meteor impact.” He’s currently working on a five-year project on the Anthropocene – the proposed name for our current geological age, an age on which human activity has had a profound and still ultimately unknown impact. A multidisciplinary initiative with long-term collaborators Jennifer Baichwal and Nicholas de Pencie, Anthropocene includes images showing urbanisation, urbanisation, industrialisation and mining, from oil bunkering and sawmills in Nigeria to the salt mines of the Ural Mountains. Now a preview of this project, plus other new work by the renown Canadian artist including an AR experience, is going on show at Photo London 2018, which takes place from 17-20 May at Somerset House. The public programme, which is supported by LUMA Foundation, will also include an exhibition called Exit from Paradise: Japanese & Chinese Contemporary Photography, presented by Korean curator Jiyoon Lee, and a photography-themed installation by set designer Es Devlin. The International Center of Photography (ICP) and Photo London will …
The Walther Collection has kicked off an 18-month exploration of vernacular photography with a show titled The Shadow Archive: An Investigation into Vernacular Portrait Photography. Taken from the 1850s to the present day, the collected portraits depict groups such as ‘migrant laborers’, ‘inmates of an asylum’, ‘criminal photographs’, and ‘G&G Precision Works Photographic Identity Badges’, and, says the organisers, show how “identification photographs have been used to sort, shape, segregate, and select subjects based on occupation, social group, body type, or political affiliation”. The title references a phrase used by writer and photographer Allan Sekula to reference “the entire social field of human representations, comprising both heroes and deviants, within which every portrait takes its place as part of a moral hierarchy”.