This October photographers have taken over the popular Art on a Postcard fundraiser run by The Hepatistis C Trust. Over 1000 unique works will be available for £50, with big names such as Jim Goldberg, Martin Parr and Wolfgang Tillmans joining in alongside less-familiar talents. In total 1200 lottery tickets will be available, with the postcards assigned at random to ticket-holders on 30 October. The images will go on show at theprintspace, Shoreditch from 12-24 October, with a private view on 12 October; in addition all the images, and a full list of the participating image-makers can also be seen at www.artonapostcard.com/photo-postcard/ Tickets are bought online at www.artonapostcard.com/shop/ and all money raised will go to The Hepatitis C Trust’s campaign to eliminate hepatitis C from the UK by 2030.
An intimate portrait of the first twenty-four hours of motherhood by acclaimed portrait photographer Jenny Lewis.
Jenny Lewis’ photograph, selected for Portrait of Britain 2017, exists as a powerful reminder of the ongoing tragedy and injustice of the Grenfell Tower fire
The Portrait Issue returns this September just as The British Journal of Photography launches the return of Portrait of Britain, which will once again appear on digital JCDecaux screens across the country, in partnership with photography giant Nikon. Portraits have a rare capacity to capture a person, family and community in a way that reshapes a narrative or empowers an entire group of people. Each photoseries in this issue manages to shed new light on an individual or group and move beyond stereotypes to find a more honest truth – whether with a Roma group in the south of France, or a working class neighbourhood in The Netherlands.
Portrait of Britain returns for a second year with 100 more images that encapsulate life the length and breadth of the UK. From almost 8,000 entries this year, the final hundred will now be displayed in a digital exhibition across JCDecaux screens in shopping centres and commuter hubs around the country throughout September. In partnership with Nikon, the photography giant, Portrait of Britain aims to show the social and cultural diversity of people in the UK and showcase everyday citizens and unsung heroes in a gallery of the people, by the people, for the people. Simon Bainbridge, Editorial Director at the British Journal of Photography, was excited about the latest portraits for 2017, saying, “Collectively, the portraits celebrate the unique heritage and diversity of modern Britain, as much as its thriving photography culture and the myriad styles and approaches they employ in their work.”
BJP’s Breakthrough Sessions are open from 23 June – featuring leading industry speakers such as Vivienne Gamble (director, Seen Fifteen), Hamish Crooks (licensing director, Magnum Photos), Jaki Jo Hannan (senior creative producer, AMV BBDO) and Dominic Bell (Webber Represents) and the BJP Breakthrough Awards exhibition, featuring Ryan James Caruthers, Jocelyn Allen, Todd R Darling and Cathal Abberton
“As a photographer, you are basically only able to create an image of how you see someone rather than maybe what is really there,” says Jenny Lewis, whose portraiture has been published in two books, and whose work was selected for the inaugural Portrait of Britain show
Hackney has long been celebrated as London’s creative hub, but soaring rent increases are pushing the painters, illustrators, filmmakers, jewellers, ceramicists and fashion designers out of their studios. Jenny Lewis spent four years shooting these creatives in their workspaces and her new book, Hackney Studios, stands as a celebration – and perhaps a commemoration – of a very special time and place. Hackney Studios is published by Hoxton Mini Press, priced £20. www.hoxtonminipress.com
When I ask Jenny Lewis to recount her experiences of photographing her most recent project, One Day Young Malawi, I brace myself. Malawi is officially the poorest nation in the world. According to the World Health Organisation, Malawi has the highest fertility rate in the world, with the average woman raising 5.7 children, and “a critical shortage of capacity in institutions implementing development programmes.” Lewis travelled there – in an extension of her viral One Day Young project – to capture the most intimate moments of a mother and newborn arriving home in the first twenty-four hours after birth. The odds on this tale being anything other than bleak seem slim. “I was next to the delivery room when Efrida was giving birth” Lewis tells BJP of one of the first new mothers she photographed. “Twenty minutes later, they needed the delivery room, so they shoved her out and put her in the room I was in, where I was taking a picture of Miriam, who was bleeding very heavily at the time. “So Efrida was bleeding all over the …
You don’t have to look far to find cultural representations of motherhood. The Virgin Mary, with downcast eyes; Heat-era celebrities flaunting impossibly flat, post-baby stomachs. And yet these images all tend to show a particular take: evasive, sanitised, as though to distract from the unseen horror of labour. “Everyone seems to have this fear and anxiety about the birth,” says Jenny Lewis, whose project on new mothers, One Day Young, has just been published by Hoxton Mini Press. The book consists of 40 portraits, selected from 150, of Hackney-based mothers in their homes, within 24 hours of the birth. “After my son was born, I felt this responsibility to tell people I met who were pregnant that it’s going to be OK.” She decided a portrait series could do that job for her. [bjp_ad_slot] “I put leaflets up in hairdressers, chip shops, corner shops, trying to get a varied demographic of people,” she recalls. The leaflets included a link to her website and as soon as she’d shoot a portrait, she’d publish it online so potential subjects could …