With so much to see condensed into one city over the course of five days during Paris Photo (09-12 November), you’d be tempted to skip round the 149 galleries lining the elegant, glass-topped halls of the Grand Palais in a couple of hours, or even miss the main event altogether, as many do. That would be a mistake. You won’t get a better snapshot of what constitutes saleable photography in 2017, from the blue-chip North American dealers such as Gagosian, Pace MacGill and Howard Greenberg, to the work of younger artists championed by the likes of Project 2.0, Trapéz and Taik Persons. And eavesdropping on the sales patter can be a real an eye-opener.
When approaching Mathieu Pernot’s 20-year-spanning work on a Roma family settled in southern France, you should leave all misconceptions and prejudices aside, as he did, and read the introduction to Les Gorgan, the photobook published by Editions Xavier Barral to accompany his critically-acclaimed exhibition at this year’s Rencontres d’Arles festival. When he began, the French photographer writes, he didn’t know anything about the Gorgan family, nor was he aware that its members had been living in France for over a century. It was to be a transformative experience, one that led Pernot to witness the birth of a child for the first time, attend funerals and engage in a type of intimacy that only time and surrender can offer.
With a career that spanned seven decades, Robert Delpire, who passed away on 26 September, will be remembered as one of photography’s biggest champions in the 20th century. Best-known for founding the Editions Delpire, which published the work of artists such as Cartier-Bresson, Doisneau and Robert Frank, he also co-founded the Jeu de Paume, set up the Fondation HCB, ran an advertising agency, art directed a magazine and much, much more.
For its 15th birthday, North America’s leading photofestival takes on a new name. Momenta: Biennale de l’image is designed to denote a more studied approach than the previous Month of Photography identity and is entirely in keeping with the direction of the festival – in recent years, under the creative direction of artists, curators and academics including Joan Fontcuberta, Paul Wombell and Marie Frase, it has addressed themes such as the ‘post-photographic’ condition and the impact of automation in image-making. This year’s invited curator is Ami Barak, a French visual authority.