All posts tagged: Jo Spence

Chris Dorley-Brown’s singular vision of East End London

“I don’t have a journalistic bone in my body,” says Chris Dorley-Brown. “I’ve never been to Kosovo. Loads of people do that really well, but I don’t have the urge or the instinct, and that’s partly why I don’t really think of myself as a professional. I do the odd advertising job to earn money, and I think I do it okay, but the phone isn’t ringing off the hook with jobs because I don’t put the energy into promoting myself, since I’m wandering around here all the time. I keep my overheads low and can just about get away with it.” It’s a modest way to sum up an extraordinary body of work – more than 30 years of images, nearly all shot in London’s East End, and most photographed on the street. Some show luxury new developments, others rundown social housing. Some capture crowds of people, some empty streets. Many are one-offs, others – such as the images in The Corners – are manipulated using Photoshop to put various passersby together on one intersection

2018-05-29T15:52:31+00:00

The Hyman Collection donates 125 photographs to Yale Center for British Art

London-based collectors Claire and James Hyman have donated 125 photographs to the Yale Center for British Art, gifting key works by leading figures in British photographic history – including Bill Brandt, Bert Hardy, Roger Mayne, Tony Ray-Jones, Martin Parr, Chris Killip and Anna Fox – to the 44-year-old institution in New Haven in the US. It’s a move that could be interpreted as a damning indictment of UK institutions’ commitment to collecting British photography – particularly as, the last time BJP caught up with James Hyman (our May 2015 issue), he said building such collections has been “left to private individuals, and it shouldn’t have been”. In the same interview Hyman also singled out Birmingham Library and its curator of photography collections Peter James for praise – yet in the intervening time, both the photography archive and James’ job have fallen victim to funding cuts. But Hyman says the donation should be viewed in a positive light as evidence of the growing interest in British photography abroad – an interest which may spark more commitment in the UK.

2018-01-18T13:57:36+00:00

Jo Spence’s iconoclastic self-portraits ridiculing outmoded gender stereotypes

‘It is essential that this important exhibition is seen by as many women as possible. To do this we need money – to make it fit to travel all over Britain. Please help and send donations to:- “The Hackney Flashers Collective” who took all the photographs and organised it.’ Written in red marker pen, the appeal appears on a poster made in 1975 by socialist-feminist collective The Hackney Flashers. With their travelling exhibitions, Jo Spence and other members created influential agitprop materials as a way of confronting social prejudices. Their black-and-white prints – of women at work in factories; female machinists hunched over sewing machines; a mother holding a saucepan over the stove and a baby on her hip – helped campaign for equal pay in the workplace and better childcare provisions. “They wanted to operate in society and not as part of the art world,” says Elena Crippa, who curated the retrospective of Jo Spence’s work at Tate Britain. Using the flash of the camera as a pun on the revealing nature of photography, The Hackney Flashers …

2016-03-08T11:18:45+00:00

BJP Staff