All posts tagged: Ken Grant

Education: the celebrated University of South Wales, Cardiff

For over four decades, the documentary photography course has forged a reputation as one of the UK’s leading photography teaching destinations. In fact, the very first photography class can be dated back even further to 1912, when it was introduced by the head of the school of art at Newport Technical Institute. The course, however, was set up in 1973 by Magnum photographer David Hurn as a 12-month Training Opportunities Scheme to ‘re-skill’ miners and steelworkers.

2017-07-31T10:59:02+00:00

Rachel Glass – The Domestic Aviary

A streak of neon-bright green files among the domestic clutter of a small British living room. The fancy bird chooses its perch between the sofa, the flat screen TV, the mantlepiece and the closed window. The bird is indigenous to the forests of Venezuela, Colombia and Guyana, but it is here, in County Armagh, Northern Ireland, playing a starring role in Rachel Glass’ series The Domestic Aviary. “Confinement or sanctuary?” Glass asks, as the birds fly through “the looser confines” of the contemporary domestic home, in all its tastes. “How much freedom do we actually have, and how much we can invest in it?” In the corner sits the bird’s cage. She has caught them, wings stretched mid-flight, or appraising their horizons, preparing to fly in a larger cage. “We as people can fly as far as we want,” the 21-year-old Glass says.  “But are we confined or constrained by our own lives and commitments?” In her eyes, these birds are metaphors: “Of our own conscious understanding of freedom, in all its limits and possibilities.” Glass grew up in the countryside around …

2015-04-17T13:29:56+00:00

Ken Grant – No Pain Whatsoever

BJP

I was in Ken Grant’s MA class when he was teaching Documentary Photography at Newport in Wales. You’d bring out an unedited mess of pictures and Grant would start talking in his mellifluous poet’s voice, his thoughts weaving in and out of the pictures, connecting music, literature and photographers to them. He touched on places where life shone, where soul came through, and left the rest alone; it was never about you, or the images, but about the wider world, the quiet moments, what you might do and what you could do. Then you’d leave the room, never quite sure what had happened, but always knowing that what mattered was the meaning and the rhythm and the soul, and that what you could do was what you hadn’t done. It was the gentlest of eviscerations. The same poetic thoughtfulness infuses Grant’s photography, much of which is based around his hometown, Liverpool. It is work that, through acclaimed shows at the Format Festival in 2013, and the publication of two books last year, No Pain Whatsoever …

2015-05-11T11:05:19+00:00

BJP #7833: Songbook

British Journal of Photography’s March issue is about the long game, what it takes to spend a life making photographs, and what it means to return to a place that was once home. The issue is on sale in all good newsagents from the first Wednesday of February, or you can pre-order it now, directly from the BJP shop. Last month we featured the Ones to Watch, a celebration of the best emerging talents in photography. Now, we’ve gone in-depth with four photographers who have managed to keep going, even while remaining unsung. And who are, in their endurance, their dedication and their ability to adapt, each remarkable. Fame, or at least recognition, has found each differently, but it never struggled to locate Alec Soth, whose Sleeping by the Mississippi became one of the iconic series of the twentieth century. Now he talks about Songbook, a revisitation of his beginnings as a staff photographer on a suburban newspaper in Minneapolis. “To sustain myself creatively is to not give myself over entirely in one way or another,” Soth tells Lucy Davies. “And I like …

2015-05-28T15:57:01+00:00

BJP Staff