The 18-year-old Hamburg Triennial will be directed for the second time by Polish curator Krzysztof Candrowicz, who moved to Hamburg four years ago and set about transforming the it, bringing people and institutions together, and determined to make it more relevant to the viewing public. The 2015 edition was, he says, “The first holistic attempt to create the collaborative framework of the festival. Before, the museums were basically highlighting their own exhibitions, but there was no actual curatorial collective structure.” The determinedly political and environmentally-conscious theme this year was inspired by an amalgamation of many factors, he says, including spending a year “away from structured, mechanised and commercial reality”, travelling around Latin America, Nepal and India. “Breaking Point became, for me, a metaphor for rapid and sometimes unexpected transformation on a personal and global level.”
“This isn’t something new or something connected to a particular part of the country,” says Sarker Protick, speaking about his recent work, Of River and Lost Lands, which deals with the contemporary relationship between people and nature in Bangladesh, in the context of the devastating damage and loss of land caused each year during monsoon season. “The seasonal rising and falling of the many rivers in our country is part of our culture. It’s the first thing we learn at school; we are a country of rivers. Music, poetry, philosophy, folklore, religion – all have key elements connected to the river.” Protick’s photographs, on show at Hamburg Triennial of Photography as part of Enter, curated by Emma Bowkett and Krzysztof Candrowicz, were all made along the powerful Padma River. “When the famous Ganges flows over the border from India into Bangladesh, it becomes the Padma; a river that many along its banks depend on for their livelihood, but paradoxically the river is also the main cause of destruction.”
In a first for BJP we have partnered with the Hamburg Triennial of Photography this issue, catching up with the festival’s artistic director Krzysztof Candrowicz and examining the festival’s theme Breaking Point: Searching for Change. “For Krzysztof, photography provides a pertinent tool for examining these big subjects,” writes BJP’s editor Simon Bainbridge, “not just as a visual document of environmental emergency or hi-tech Armageddon, but as a tangible, thought-provoking exploration of transition.” From the 320 artists included in the festival’s open submissions, we bring you our favourites – including Salvatore Vitale and his project on Switzerland’s obsession with security, which scrutinises the ways in which it shapes not only the environment, but also the Swiss mentality. Sarker Protick draws our focus towards Bangladesh’s Padma River, offering a stark warning of rising water levels, while Gábor Arion Kudász’s Human is a study of mankind via the metaphor of a humble brick. We highlight more of the thought-provoking work on show in Hamburg in our Projects section, including Carlo Lombardi’s series on an endangered loggerhead sea turtle. Gretje Treiber’s …
“Asselin’s Monsanto® is a courageous, investigative project that connects evidence-driven photography and visual research to the democratisation of knowledge; it’s important that this book exists in physical form, as a document, and not just in the virtual world,” says Cristiano Raimondi of Mathieu Asselin’s photobook Monsanto®. A Photographic Investigation. Raimondi is head of development and international projects at the New National Museum of Monaco and an invited curator for Platform 2017 at this year’s Paris Photo, but he’s speaking as a jury member for the 2017 Paris Photo-Aperture Foundation PhotoBook Awards because Asselin’s book has just won the prestigious First PhotoBook prize.