Centred around the theme of New Chic, the works on show at Riga Photomonth this May “are united by quests in the language of photography,” says curator Alnis Stakle. Raising questions about the materiality of photography, he continues, these projects also examine “individual and collective meanings and identities and the rituals of looking and showing off”. Inka and Niclas Lindergård are showing a series titled The Belt of Venus and the Shadow of the Earth, for example, which addresses the materiality of the photograph and photography’s role in the stylisation of the landscape. Through manipulation and the use of colour flashlights “their works become an open portal to the hyperrealistic synthesis of beauty, kitsch and visual desire in the language of photography,” says Stakle, who is director of Multimedia Communication and Photography at Riga Stradins University, and a celebrated photographer in his own right (bjp-online featured his series Theory of R in March 2017).
This year marked the 100th anniversary to the October Revolution; the Bolshevik coup lead by Vladamir Lenin that would result in the Russian Civil War (1917-22) and, ultimately, the foundation of the USSR and the communist regime that lasted until 1991. In the BJP’s latest issue, we try to understand something of the vast history of the Eastern Bloc.