All posts tagged: Lee Friedlander

Total Records pays tribute to the art of the album cover

Frenchman Antoine de Beaupré has been collecting vinyl for almost 30 years and has amassed an archive of 15,000 LPs; his friend Serge Vincendet is also a vinyl junkie, and runs the Monster Melodies record shop in Paris. But they also appreciate the finer points of photography so together, with help from Rencontres d’Arles festival director Sam Stourdzé, they’ve put together a highly successful exhibition celebrating album cover images. Called Total Records the exhibition features more than 600 LPs, mostly from de Beaupré’s personal collection but also including covers supplied by Vincendet. It was a popular exhibition at Rencontres d’Arles in 2015, and it has since gone on an equally successful world tour; its latest stop is at the Fundación Foto Colectania in Barcelona, where it’s now on show until 11 March 2018. The earliest cover in this exhibition is Richard Rodgers’ Rodgers – Hart Musical Comedy Hits by Columbia Records, which dates back to 1940 and features a photograph by an unknown photographer, but visitors can also enjoy covers right up to the present day, across all genres …

2017-12-05T10:52:17+00:00

The 2017 Paris Photo-Aperture Foundation PhotoBook Award winners

“Asselin’s Monsanto® is a courageous, investigative project that connects evidence-driven photography and visual research to the democratisation of knowledge; it’s important that this book exists in physical form, as a document, and not just in the virtual world,” says Cristiano Raimondi of Mathieu Asselin’s photobook Monsanto®. A Photographic Investigation. Raimondi is head of development and international projects at the New National Museum of Monaco and an invited curator for Platform 2017 at this year’s Paris Photo, but he’s speaking as a jury member for the 2017 Paris Photo-Aperture Foundation PhotoBook Awards because Asselin’s book has just won the prestigious First PhotoBook prize.

2017-11-10T14:00:31+00:00

In Paris: 2017 Paris Photo-Aperture Foundation PhotoBook Awards

Established in 2012, the Paris Photo-Aperture Foundation PhotoBook Awards are divided into three categories – PhotoBook of the Year, First PhotoBook, and Photography Catalogue of the Year. The winners will be announced on 10 November at Paris Photo, and all the shortlisted and winning titles will be profiled in The PhotoBook review and exhibited at Paris Photo, the Aperture Gallery in New York, and at other international venues. The year Albert Elm’s What Sort of Life is This, Mathieu Asselin’s Monsanto: A Photographic Investigation and the group book project Amplitude No.1, which is edited by Nadya Sheremetova and includes photographers such as Irina Yulieva, Igor Samolet and Irina Ivannikova, were among those to make the First PhotoBook shortlist this year

2017-11-10T10:45:13+00:00

Francois Hébel’s Foto/Industria opens tomorrow

Foto/Industria Biennial returns to Bologna, with 14 exhibitions centring around the idea of identity and illusion in photographs of work, curated by Francois Hébel and including image-makers such as Thomas Ruff, Josef Koudelka, Lee Friedlander, Joan Fontcuberta, Alexander Rodchenko, Mitch Epstein, Yukichi Watabe, John Myers and Michele Borzoni.

2017-10-11T09:25:16+00:00

On show: Autophoto at Paris’ Fondation Cartier

By the end of the 19th century, the camera and the car had helped pave the way for a new, more modern perspective – images by freezing time, from multiple perspectives, and automobiles by speeding things up. Now the Fondation Cartier pour l’art contemporain in Paris is devoting a huge exhibition to the two, showing how they have altered our lives and our visions of them – and how they continue to evolve. As curators Xavier Barral and Philippe Séclier comment: “Over the last few years we have witnessed an industrial, societal and environmental turning point in automobile history. On the other hand, photography has never been shared so much.” With the automobile and the camera, they explain, everyone can be in action in space and in time – cars providing almost everyone, everywhere, with autonomy and movement, and the photography allowing them to record their presence in history. “It was time to unify these two popular techniques, which have transformed the social bond into an artistic journey,” say the curators. “And this is the first time that a photographic exhibition of this magnitude has been organised on this theme.” …

2017-04-20T17:05:34+00:00

BJP Staff