Pongo has won the prize for his ongoing series The Uncanny, which is shot in The Congo. Born in Belgium in 1988 to a Belgian mother and a Congolese father, Pongo started the project as an attempt to reconnect with his Congolese heritage. He first visited the country in 2011, staying with his Congolese family – most of whom he had never met before – and arriving as the DRC held its second ever democratic elections, for both Presidential and Legislative positions. “I am conscious that photographing in the Congo, as a photographer educated in Europe, reveals my own limitations (in accessing and understanding the environment), bias, and stereotypes,” he says. “However, by turning to a more personal story and documenting my confrontation with my family, the country, and by relying on friends and siblings to introduce me to their visions of this environment, I hope to be able to overcome some of these limitations.
NOOR, the prestigious photo agency and foundation, has signed up three new nominees – Sanne de Wilde, Arko Datto and Leonard Pongo. Hailing from Belgium, India and Belgium/DR Congo respectively, all three are known for their cutting-edge work, rooted in documentary but pushing the aesthetic boundaries of image-making.