All posts tagged: Lewis Bush

Lewis Bush’s Shadows of the State visualises secret radio signals

“Really, it was only in the Snowden revelations that we realised how often these agencies don’t act in our best interest,” says Lewis Bush. “In some ways I hope that a project like this can make people think about how these abstract but very powerful forces in the world can be visualised when you find the right strategy.” He’s talking about his new project, Shadow of the State, a new photobook that investigates and exposes mysterious broadcasts dating back to the Cold War. Bush has spent the past two years seeking out the sources of these broadcasts, covert sites across the globe from North Korea and Russia to Washington and Cuba.

2017-11-13T11:42:23+00:00

Inside The European Union Theme Park

In 2012, Lewis Bush travelled around Europe, trying to document the effects of the global recession and the Euro crisis. “I found myself continuously getting caught up on what seemed to me to be the major role being played by the past in the problems of the present,” he says. On his travels, he found a small theme park, one made to celebrate the harmonious idyll of The European Union – “a bizarre vision of an idealised Europe.” The park contained the national landmarks of each EU member states, reproduced as scale models. From the French Arc de Triomphe, to The British Houses of Parliament, from the Channel Tunnel to the Brandenburg Gate. “I had this really strong feeling that one of the great mistakes being made in Europe was the way difficult histories hadn’t really been resolved or laid to rest,” Bush says. “But had often been brushed aside in the rush towards economic prosperity and closer union between member states.” Bush captures how the nature of the park created unintended juxtapositions, like national landmarks positioned by litter bins, with the logos …

2016-04-11T17:42:41+00:00

How London’s new buildings show how the city is facing terminal decline

BJP

Cities are places of constant change. It’s the nature of them, and it’s what makes them attractive. But not all change is equal; change can be organic, but it can be pernicious and abnormal. London has always been a city in flux. But, for anyone living in London, the transformations of the past few years are impossible to ignore. Huge swathes of the city have been redeveloped, remarkable buildings demolished, long-standing communities displaced. This current period of activity is unique, for it is is undoing many of the things that make the city unique. As social housing becomes luxury flats, as their inhabitants are forced out to the suburbs, the inner zones of the city become ever more homogenous, expensive and dull. This issue is what underlies Metropole, a project that aims to visualise the changing skyline of London, to imagine how the city will come to look in the future and, most importantly, seeks to recreate the sensation of feeling lost in a city that was once familiar. It’s a project partly inspired by the city symphony movies of the 1920s, films …

2016-02-12T11:21:43+00:00

The line between war photography, acts of war and video games has almost gone

New technologies have a tendency to blur boundaries and bring together areas of life which we once felt to be very separate. Consider the way social networks have removed the dividing line between what was once public and private and it’s easy to see how true this can be. For the photographer Karl Burke, another such blurring appears to be taking place today between the fields of entertainment and war. As young adults and even children descend every more frequently into violent virtual realities, and armies increasingly fight wars at enormous distances, mediated by computer screens and console controllers, these two very different arenas seem to be coming closer together. In Harvest of Death, Burke enters into online first person shooter games which use contemporary conflicts in Iraq and Afghanistan as backdrop for their gameplay. Taking on the role of a ‘simulated photographer’, he then takes screenshots of the aftermaths of in-game deaths. Burke felt it was important the photographs be physical artefacts, and so these screenshots were printed and re-photographed with the collidon wet …

2015-07-13T15:38:05+00:00

BJP Staff