With so much to see condensed into one city over the course of five days during Paris Photo (09-12 November), you’d be tempted to skip round the 149 galleries lining the elegant, glass-topped halls of the Grand Palais in a couple of hours, or even miss the main event altogether, as many do. That would be a mistake. You won’t get a better snapshot of what constitutes saleable photography in 2017, from the blue-chip North American dealers such as Gagosian, Pace MacGill and Howard Greenberg, to the work of younger artists championed by the likes of Project 2.0, Trapéz and Taik Persons. And eavesdropping on the sales patter can be a real an eye-opener.
“When 9/11 happened, I was four, so obviously I didn’t really know what was going on. But in terms of now, of how Muslims are portrayed in the media, I think it’s a very one-sided story. We’re all terrorists, evil, who want to take over this country. I mean, thinking back now, I was only four, so all I’ve experienced is that this country hates me.” So says one of the sitters in Mahtab Hussain’s You Get Me?, a series of portraits shot over nine years in Birmingham, Nottingham and London. It shows young, working class, British Asian men, a group which has been negatively depicted in the media since 9/11 but which Hussain hopes to portray in a more nuanced way.
Born in 1983, Emmanuelle Andrianjafy grew up in Madagascar and worked as an engineer in France before moving to Dakar in 2011. Relocation to Senegal proved quite a shock. “It’s very energetic, very hectic, very loud,” she told BJP for the June Ones to Watch issue. “It’s very different to where I’ve lived before. It’s by the sea but it’s not peaceful; the landscape is harsh and dry. I was tempted to not deal with it and just stay at home.”
Sleeping by the Mississippi has been ranked with the great representations of the United States, including Walker Evans’ pictures of the depression, Robert Frank’s harsh vision of the 1950s and, more recently, the colour work of Joel Sternfeld. As Alec Soth’s seminal work goes on show in London and is given a handsome reprint by MACK, we revisit an interview with him from back in 2004 – when the series first came out.
The director of Seen Fifteen Gallery on her five favourite at Arles this year – from the official programme, the Luma Rencontres Dummy Book Award, and the LUMA Foundation Parc des Ateliers
Back in 2010 BJP asked a panel of experts to select the best photobook of the past 25 years. They chose Ravens by Japanese photographer Masahisa Fukase – a dark, impressionistic journey by a man left bereft by divorce which has also been interpreted as an insight into the post-war Japanese psyche.
Michael Mack, one of the judges of the British Journal of Photography’s International Photography Prize, grew up in Zimbabwe and was educated in Yorkshire. He worked at the top of Steidl for seventeen years before launching his eponymous independent publishing company.
Paul Graham, one of the most prolific and respected photographers in the UK, showed no sign of slowing down last year. His eagerly awaited photo book Does Yellow Run Forever? was published by Mack Books, with an accompanying exhibition at the Pace/MacGill Gallery in New York. Graham describes Does Yellow Run Forever? as “a modest, intimate body of work, with personal, enigmatic photographs.” The series comprises of three sets of photographs, each relating to the other; rainbows from Western Ireland, a sleeping dreamer, and gold stores in the United States. It touches “the ephemeral question of what we seek and value in life – love, wealth, beauty, clear-eyed reality or an inner dream world?” On the release of the photobook, Graham talked to the renowned photography and architecture critic Gerry Badger for BJP, about ‘straight’ photography, becoming an adopted America, and a life of publishing. Gerry Badger (GB) – Your last three books – the so called American Trilogy of American Night, a shimmer of possibility, and The Present – have firmly established you as one of the leading …
Joanna Piotrowska’s publication Frowst won Mack’s First Book Award in April this year, and has just been published by the London-based publisher. The book features a series of black-and-white staged photographs of members of Piotrowska’s family. Through her images, the Royal College of Art graduate explores the idea of anxiety and the family, touching on themes such as family relationships, which can be both oppressive and rewarding, and dysfunction within the family unit. Piotrowska’s carefully posed subjects – quite often positioned in close proximity to each other – look almost sculptural. The result is a series of images that are intimate yet claustrophobic, and unsettling at the same time. It is no accident that the meaning of the book’s title refers to a warm but stuffy atmosphere. [bjp_ad_slot] Polish-born Piotrowska, who has exhibited her work in countries including Ireland, Spain, France, Poland and the UK, was selected for Bloomberg New Contemporaries 2013, and the exhibition Jerwood Encounters: Family Politics, curated by Photoworks. The First Book Award, now in its third year, is awarded to a photographer who has not yet had a book published by a third-party publishing house. Industry professionals are invited …