All posts tagged: magazine

How The Face changed British culture – and photography and publishing

“The photography in The Face highlighted the important fact that none of these cultural things existed in a vacuum,” says Paul Gorman. “It was nearly always reportage.” In his new book The Story of The Face: The Magazine That Changed Culture, the long-standing author and music journalist hopes to show just how important the iconic magazine was in shifting British perspectives on culture – and how photography helped it do so. Founded in 1980 by Nick Logan, the same man behind NME and Smash Hits, The Face was one of the first UK magazines to champion youth and counter-culture, fashion, music and film under one banner, and in doing so, argues Gorman, helped launch some of the most influential music, fashion and documentary photographers of our time, including Sheila Rock, Corinne Day, Juergen Teller, Nick Knight and Ewen Spencer.

2017-10-31T17:23:39+00:00

Photographic idols for the Vice photo issue

When George Pitts died earlier this year, Vice photo editor Elizabeth Renstrom was struck by how much he had influenced her work and her approach to photography. Deciding the theme for this year’s photo issue seemed a natural progression: Idols. The issue presents up-and-coming photographers alongside the more established names that have made a big impact on their craft.

2017-10-05T12:07:46+00:00

#BJP 7863: Invisible World

The September issue brings the otherwise invisible into sharp focus. Invisible World explores forgotten conflicts, intimate retreats, abused landscapes and remote islands to uncover the hidden realities and unknown societies behind ordinary backdrops. “As social beings, we all demand to be seen,” says Hoda Afshar, whose latest series, Behold, takes us to an exclusive male-only bathhouse. Her point resonates with all the photoseries explored in this issue: how do we negotiate our surroundings, how do we see our societies, how do we interpret our world? We need to first see the invisible to answer these ever salient questions.

2017-11-06T15:16:33+00:00

Creative Brief: Shaz Madani

Arriving in London from Tehran, aged 10, and not having English as a first language, Shaz Madani remembers finding “great comfort in the universal language of images and pictures”. That refuge in the visual was probably the genesis of her career, as more than a decade later she graduated from the London College of Communication with a degree in design for advertising. Three years on, she set up her own studio, and soon after, a mutual friend put her in touch with Danielle Pender. Together they founded Riposte, a biannual “smart magazine for women”. Now in its seventh issue, the award- winning title, edited by Pender and art directed by Madani, is lauded for its intelligent voice and smart aesthetic. The Iranian-born designer continues with project work, including commissions from MoMA, Wellcome Trust, Elephant magazine, and two books for photographer Giles Duley. This article comes from BJP‘s May issue. Why doesn’t Riposte have a front cover image? Riposte came about as a response to the barrage of image-saturated magazines we were seeing on the shelves, …

2017-05-09T12:51:04+00:00

Portrait (c) Simon Menges.

Creative Brief: Carmen Brunner

Having assisted Wolfgang Tillmans for a year after studying photography at Kingston University, Carmen Brunner returned in 2008 to become his photo editor and publications manager. Last year she went out on her own as a Berlin-based visual consultant and freelance photo editor, working on a major redesign for Geo and continuing as director of photography on Dummy magazine, which she took on in 2011. A year later she took on the same role at Fluter, a magazine aimed at young people and distributed free, created for Germany’s Federal Agency for Civic Education to “open up complex topics to first-time voters by giving them high-quality journalism and different perspectives”. Recent themes have included migration and integration. How does working with an artist compare with photo-editing? Both revolve around complex content – understanding the artistic concept of a show or a book, or the mission statement of a magazine, and thinking within that logic while bringing my own ideas to the table. What did you learn from Tillmans? I really enjoy seeing the world through Wolfgang’s …

2016-10-21T15:44:54+00:00

BJP Staff