The Visa Pour l’Image festival returns for the 29th time – to “turbulent time”, in which “photojournalists are obviously needed, and play an essential role which is now more important than ever” as the co-founder and director general Jean-François Leroy puts it
BJP’s Breakthrough Sessions are open from 23 June – featuring leading industry speakers such as Vivienne Gamble (director, Seen Fifteen), Hamish Crooks (licensing director, Magnum Photos), Jaki Jo Hannan (senior creative producer, AMV BBDO) and Dominic Bell (Webber Represents) and the BJP Breakthrough Awards exhibition, featuring Ryan James Caruthers, Jocelyn Allen, Todd R Darling and Cathal Abberton
Magnum Photos is taking outside investment for the first time in its 70-year history, to allow it “to take advantage of new editorial and commercial opportunities afforded by digital technology”.
This fascination with the familiar isn’t a new phenomenon, says Phillip Prodger, head of photographs at the National Portrait Gallery and a former judge of the Taylor Wessing Photographic Portrait Prize. “We live in a world of the free exchange of imagery and social media and perhaps the photographs that once were considered more private aren’t considered so private anymore. I think people have been making those photographs all along but perhaps not sharing them in that way.”
Back in February 2015, BJP flagged up Cemre Yesil as a One to Watch – and now her series For Birds’ Sake, made with Maria Sturm, has won a Prix Levallois nomination. We revisit our article on this series and her hands-on approach to photography
The ten winners are: Carl Bigmore, Georgs Avetisjans, Kazuma Obara, Lua Ribeira, Martin Seeds, Matthew Broadhead, Michael Vince Kim, Monica Alcazar-Duarte, Sam Ivin and Sian Davey.
The world-famous photo agency goes to town with four exhibitions, a live residency, a swap shop, a book launch, a series of talks and discussions, and even a t-shirt collection
The connection between photographer and subject is a vital element in the power of an individual photograph. In turn, the image has the power to inspire, inform and communicate human engagement. In 1948, David ‘Chim’ Seymour would come to pioneer this visual form of emotional empathy through his work with UNICEF – following the children orphaned and scarred by the consequences of the Second World War. Working for six months on a dramatically reduced fee, Chim painstakingly travelled across Europe shooting 257 rolls of film, going beyond mere illustration of UNICEF’s work, the assignment became a labour of love, revealing his unique capacity to awaken the public’s conscience to war’s most vulnerable victims. His unapologetically compassionate approach reflected both his deep seated humanism and unique ability to treat those he photographed with equanimity, reverence and respect, developing a genuine human connection that would become emblematic of the engagement at the heart of documentary photography today. Chim’s photographs remain an indispensible part of history, creating a style of photography which has not only shaped the ethos of Magnum Photos …
With an ever-changing arts market and increasingly competitive photography network, there has never been a time more important to know how to market, sell and distribute your work. A fresh programme of workshops led by industry professionals and Magnum photographers taking place over the coming months, will provide an invaluable insight into the dos and don’ts of the photography market, and present highly valuable training opportunities for photographers at any stage in their career. There will be four workshops each lasting two days, with the first starting on 19 November. Each will address a different aspect of the business, including how to establish a professional network of industry contacts, how to understand the requirements of the market and what the realistic routes into photographic employment are. A selection of carefully curated lectures from speakers addressing specific areas of the photographic industry, sharing practical advice on how to succeed in their particular area, will take the lead in activities for the first day. On the second day, photographers will have the chance to present their portfolios and get honest …
London-based street photographer Matt Stuart and 26-year-old Armenian-American Diana Markosian have been named as the latest members of the legendary Magnum Photos agency. The pair, both supported by Magnum’s current president, Martin Parr, were announced as nominee members today following the agency’s Annual General Meeting, which took place in east London last week. Nominees are invited to apply for full membership having proved themselves after a period of usually one or four years. Jérôme Sessini and Bieke Depoorter, who both became nominees in 2012, have now both progressed to full member status. Markosian is well known to BJP readers as one of the brightest new talents in the field of documentary photography, first featuring as one of our Ones To Watch in 2015. Born in Russia and growing up in California, she’s since returned to her homeland to make work, including a series of portraits of the almost grown-up survivors of the Beslan school massacre. For Inventing My Father, she created a highly charged series about finding and reconnecting with her estranged father from whom …