When he first heard about the HOME project, Brighton-based photographer Mark Power’s immediate reaction was to make something personal. “Home is such an abstract concept,” he says. “For instance, if I’ve been travelling abroad for a while I’d probably consider my home to be England. If I’m already there, then I might think of Brighton as home. In Brighton I’d probably think of my house.” Ultimately though ‘home’ translates as family for him, and by coincidence the project landed just as his family was undergoing seismic change. “By chance, the subject was staring me in the face – our daughter Chilli was leaving home in September, moving to London to begin a degree in Fine Art at Goldsmiths University,” explains Power. “Ironically, this date coincided almost exactly with the deadline to deliver the final project.”
“What is ‘home’?” writes Magnum Photos curator Pauline Vermare. “Instinctively, the idea of peaceful haven comes to mind. A cocoon where one feels secure, loved and understood – a nurturing and forgiving place.” It’s a topic she’s been thinking about in depth, because back in 2017 Fujifilm invited Magnum Photos to collaborate on an ambitious group project, which eventually saw 16 of its documentary photographers reflect on the idea of ‘home’. These photographers are better-known for documenting the lives of others, but in this project, they were able to create intensely personal work instead. “This project provided photographers with an ideal pretext to explore a place they held dear, a familiar and familial landscape,” says Vermare. “It was an invitation to look inward and outward. Home – an inherently intimate and introspective subject matter – was also a formidable challenge to take on; for the past seventy years, Magnum photographers have predominantly been looking into the lives of others – and seldom looking into their own.”
Photography on a Postcard is offering the chance to own a signed, one-off print by a world-renowned photographer for just £55 at Photo London. The twist is that the photographer will remain anonymous until after the sale. Buyers can choose from 350 postcard-sized prints, and the photographers involved include Bruce Gilden, Mark Power, Dougie Wallace, and Laura Pannack, as well as 35 hand-selected emerging image-makers. Buyers will be able to choose their postcard-sized print in person, but priority will be given to those who pre-register online. All money raised will go to the Hepatitis C Trust and its campaign to eliminate the virus from the UK by 2025.
“This year’s theme is Belonging,” says PhotoEast/Panos Pictures director Adrian Evans. “Brexit, Trump and the rising tide of nativism and nationalism inspired us to explore just what belonging means today from the role of family and community through to larger global concerns.” Initially, Evans set up the festival with his wife Jo after moving to rural Suffolk, in an attempt to “bring something of what we did in our daily working life to where we lived.” For the second festival they were keen to broaden the appeal and and accommodate different points of view. “You get bored of your own taste after a while and we love the FT Weekend Magazine and the way they use photography,” says Evans, “so we approached Emma Bowkett and Josh Lustig (director and deputy director of photography on the magazine) to curate a series of shows around this year’s theme.” In response, Bowkett and Lustig brought together over 30 photographers, including Mark Power, Matt Eich, Sian Davey, Giulietta Verdon-Roe and Julian Germain. “We are keen to investigate the theme of Belonging through …
“The culture and mythology of Bigfoot is something that has always interested me growing up and now as a grown man,” says Harry Rose. “How can people be so convinced? What real evidence is there?” Rose is BJP’s creative campaign manager, but he’s also the founder of Darwin Magazine and a Newport graduate, whose work has appeared on sites such as Self Publish, Be Happy, Vice and Photoworks. His ongoing personal project, Looking for Bigfoot, uses photography, archive images, found objects, sighting accounts and interviews with believers to try to build a picture of the mythical British giant, who is also known as the Wildman, Green Man and Yeti. Now he’s discussing his work and the human desire to create mythologies at Miniclick’s next outing, at Temple Bar Brighton on 28 March. Joining Rose will be fellow Newport graduate Hannah Saunders, who is currently studying for an MA in the History of Art at the Courtauld Institute, focusing on The Supernatural Middle Ages. Her project Allegorical or Historical explores the lives of three Medieval Saints through self-portraiture, and …
Mark Power, Maisie Cousins and Adam Ferguson shed light on their unique approaches to social media
Inspired by personal identity, the natural world, and the fear of dying, the three young artists in this year’s Jerwood/Photoworks Awards exhibition are presenting very different work. Picked out as winners in January 2017, all three have received a year of mentoring on their work from industry specialists such as photographer Mitch Epstein, publisher Michael Mack, and gallerist Maureen Paley. They each also received a bursary of £5000 and access to a production fund of another £5000, to make new work which goes on show in London’s Jerwood Space from 17 January-11 March then tours to Bradford and Belfast.
Martin Parr, Bill Brandt, Karen Knorr, Shirley Baker, Brian Griffin, Daniel Meadows, Chris Steele-Perkins, Mark Power, Tom Wood, Roger Mayne, and Tony Ray-Jones are all showing work in a new exhibition hosted by Burberry during London Fashion Week (and beyond). Installed over three floors in Burberry’s new show venue – the 18th century, Grade 2-listed Old Sessions House in Clerkenwell, London – Here We Are will include over 200 images by more than 30 photographers from 18 September-01 October
The world-famous photo agency goes to town with four exhibitions, a live residency, a swap shop, a book launch, a series of talks and discussions, and even a t-shirt collection
Designed by David Kohn Architects, the new centre will open in Autumn 2018 and more than double the V&A’s current photography exhibition space. The opening will be accompanied by a museum-wide photography festival, a new digital resource, and a new history of photography course run with the Royal College of Art. The V&A plans to run events and activities in the new centre, and will continue to expand the facility. Phase Two will see the museum add more gallery space, and create a teaching and research facility, a browsing library, and a studio and darkroom which will enable photographers’ residencies. The new centre comes as the V&A transfers the Royal Photographic Society’s collection from the Science Museum Group, which was formerly held in the National Media Museum in Bradford. The transfer adds over 270,000 photographs, 26,000 publications, and 6000 pieces of equipment to the V&A’s holdings – which was already one of the largest and most important in the world, including around 500,000 works collected since the foundation of the museum in 1852. The RPS collection includes …