Marking the 800th anniversary of the Charter of the Forest signed by King Henry III, and corresponding with the launch of the 2017 Charter for Trees, Woods and People, the V&A’s new display Into The Woods: Trees in Photography, celebrates the significance of trees in the work of photographers across the world and throughout history.
The exhibition is comprised of works from the V&A’s permanent collection as well as photographs recently transferred from the Royal Photographic Society ahead of their rehousing in the museum’s new Photography Centre in 2018. Curated by Martin Barnes, senior curator of photographs at the V&A, Into The Woods began as an impulse – “I just like trees!” – but gradually revealed itself to be the germ of a great idea.
“It’s got nothing to do with Brexit or Europe!” says curator Greg Hobson. “I think we can’t begin to understand that yet. It’s just being addressed by photographers now. We’re discussing the exhibition A Green and Pleasant Land – British Landscape and the Imagination: 1970s to Now, which he’s curated with Brian Cass, head of exhibitions at Towner Art Gallery, and which recently opened at the Towner. Including over 100 works by 50 artists (52 if you count the people in duos separately), it’s a major survey of the land we live on and how photographers have shown it, including image-makers such as John Blakemore, Thomas Joshua Cooper, Fay Godwin, John Davies, Paul Graham, and Theo Simpson.
Provoke: Between Protest and Performance by Diane Dufour, Matthew Witkovsky and Duncan Forbes has won Best Photography Book in the Kraszna-Krausz Foundation’s 2017 Book Awards. A celebration of the short-lived Japanese magazine, which ran for just three issues from November 1968 – August 1969, the book gathers the ground-breaking black-and-white images published by Provoke and combines with critical theory and interviews to show how influential the publication was.
Designed by David Kohn Architects, the new centre will open in Autumn 2018 and more than double the V&A’s current photography exhibition space. The opening will be accompanied by a museum-wide photography festival, a new digital resource, and a new history of photography course run with the Royal College of Art. The V&A plans to run events and activities in the new centre, and will continue to expand the facility. Phase Two will see the museum add more gallery space, and create a teaching and research facility, a browsing library, and a studio and darkroom which will enable photographers’ residencies. The new centre comes as the V&A transfers the Royal Photographic Society’s collection from the Science Museum Group, which was formerly held in the National Media Museum in Bradford. The transfer adds over 270,000 photographs, 26,000 publications, and 6000 pieces of equipment to the V&A’s holdings – which was already one of the largest and most important in the world, including around 500,000 works collected since the foundation of the museum in 1852. The RPS collection includes …