All posts tagged: Martin Parr

From the series 'Whiteout', 2017 © Frederik Buyckx, courtesy of Sony World Photography Awards

Frederik Buyckx wins the Sony World Photography Awards

Frederik Buyckx has scooped Photographer of the Year at this year’s Sony World Photography Awards, with a series called Whiteout that explores how nature is transformed by winter.  “I have chosen a series of landscapes so that we may return to the essence of looking at photography,” comments Zelda Cheatle, chair of judges at Sony’s World Photography Organisation. “Landscape is often overlooked but it is central to our existence. I hope this award will inspire many more photographers to take pictures that do not simply encompass the terrible aspects of life in these troubled times but also capture some of the joys and loveliness in each and every environment,” she continues. Buyckx’s work, which was picked out from 227,00 entries by photographers from 183 countries, was shot in remote areas of the Balkans, Scandinavia and Central Asia, where people often live in isolation and in close contact with nature. “There is a peculiar transformation of nature when winter comes, when snow and ice start to dominate the landscape and when humans and animals have to deal with the extreme weather,” …

2017-04-20T23:03:13+00:00

The Haystack, 1844, from The Pencil of Nature by William Henry Fox Talbot (1800-77). Salted paper print © The RPS Collection at the Victoria and Albert Museum, London

The V&A announces a new Photography Centre in London

Designed by David Kohn Architects, the new centre will open in Autumn 2018 and more than double the V&A’s current photography exhibition space. The opening will be accompanied by a museum-wide photography festival, a new digital resource, and a new history of photography course run with the Royal College of Art. The V&A plans to run events and activities in the new centre, and will continue to expand the facility. Phase Two will see the museum add more gallery space, and create a teaching and research facility, a browsing library, and a studio and darkroom which will enable photographers’ residencies. The new centre comes as the V&A transfers the Royal Photographic Society’s collection from the Science Museum Group, which was formerly held in the National Media Museum in Bradford. The transfer adds over 270,000 photographs, 26,000 publications, and 6000 pieces of equipment to the V&A’s holdings – which was already one of the largest and most important in the world, including around 500,000 works collected since the foundation of the museum in 1852. The RPS collection includes …

2017-04-06T16:45:30+00:00

D is for Deconstruct. Photos are often reliable documents that show things as they truly are. But just as you cut and paste with paper, scissors and glue, so too can you deconstruct and rebuild a photo – snipping, clipping and nipping as you please. Image from the series “I want to be...”, 2014, Kid’s Wear magazine, vol. 40 © Achim Lippoth, taken from the book ABC Photography

Making photography as easy as ABC

ABC Photography, a children’s guide to photography featuring images by Martin Parr, Wolfgang Tillmans, Nan Goldin, Alec Soth, Sebastiao Salgado and many more, opens at the V&A Museum of Childhood this weekend. Inspired by the recent book edited by Jan von Holleben – who also shoots children’s books himself – the project takes one photographic concept per letter to explain ideas such as deconstruction, composition, exposure and perspective. The text, by Monte Packham, is child-friendly and witty, and draws on the images to make a satisfyingly holistic whole. An exhibition by Tom Hunter called Searching for Ghosts also opens at the V&A Museum of Childhood this weekend, featuring work made with children living on the Boundary Estate. ABC Photography is free, and is open until 11 June in London’s V&A Museum of Childhood. ABC Photography, ed Jan van Holleben, is published by Tarzipan Books. Searching for Ghosts by Tom Hunter is open until 21 January 2018.

2017-02-09T13:54:22+00:00

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BJP’s The Food Issue is out now!

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Food is big business right now, from esoteric street food diners to upscale Michelin restaurants, backed up by a wealth of imagery online, in magazines, in cook books and even in galleries. A recurring theme in art history, it’s also a favourite with advertisers, and a key insight into cultural mores. Food, like photography, can be high art and pop culture, aesthetically driven and plainly utilitarian. This issue, we showcase an extended collection of Martin Parr’s famed food photography. Described as “a chronicler of our age”, and known for his character-filled, satirical approach to documenting modern society, Parr believes food has a great social history: “When I started, it wasn’t really being explored. Now we all photograph what we eat, all the time.” Parr’s inimitable relationship with food is the subject of his recently published book Real Food, a compendium of his greatest nosh shots taken everywhere from Britain to Sri Lanka, including everything from buttered bread to rotting fruit. We also feature Per-Anders Jörgensen’s project with Michelin-star chef Konstantin Filippou, which captures the chef ’s sensitivity to …

2016-11-08T15:50:36+00:00

George Melly (c) Brian Griffin

Meet the experts: Offspring returns to east London

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Martin Parr is the headline speaker as Offspring Photo Meet returns to east London later this month for its third – and most ambitious – edition yet. Its new venue at Space Studios in Hackney will host two days of talks, seminars, networking events and portfolio reviews with industry experts, kicking off on 16 May (ahead of Photo London art fair, which runs 19-22 May) with a workshop led by legendary portrait photographer Brian Griffin, and finishing off in the evening with Parr’s ‘Photobiography’. The following day concludes with Gary Cohen’s Photo Quiz, prizes for the best portfolios, and a party. Portfolio sessions run throughout the event from 10am to 6pm on both Monday and Tuesday, with experts drawn from the worlds of editorial, commercial and fine art practice. Reviewers include Andrew Sanigar, commissioning editor for Thames & Hudson books, Aine Donovan, production director and partner at BBH, Kate Edwards, picture editor at The Guardian Weekend Magazine, gallery director Katrin Weber of Galerie f5,6 in Munich, curators Kim Knopper (Foam), Karen McQuaid (The Photographers’ Gallery) …

2016-05-05T10:40:22+00:00

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BJP #7845: The Icons Issue

What goes into creating an icon? Our latest issue scrutinises the muses, photographers and designers that go into creating unmistakable images that speak to the culture of the time – from early 20th century Soviet agitprop to a working-class lad from east London who somehow became one of the most recognisable faces on the planet. BRAND BECKHAM: THE MAKING OF A MODERN ICON “He makes it look so simple…but believe me, it is not.” – Graham Taylor “He is such a big celebrity, football is only a small part.” – Sir Alex Ferguson “It is rare a man can be that tough on the field and also have his own line of underwear.” – President Barack Obama For most figures of popular culture, the acute gaze of the lens is part of the job – to be captured for public consumption, to create a personal iconography that relates to your art. We expect our musicians, our artists and our actors to transform themselves, we demand a visual flair. But from a midfielder from Leytonstone? Not …

2016-02-26T15:59:18+00:00

Txema Salvans’ clandestine photos of sex workers waiting for clients on the side of Spanish highways

Txema Salvans’ book, The Waiting Game (published last year by RM), is a series of photographs of sex workers waiting for clients on the margins of highways in contemporary Spain. The images are both formal and astonishingly relaxed, and it is this mix that has impressed Martin Parr, who wrote the introduction to the book and nominated Salvans for our Ones to Watch issue in January 2014. A typical image shows a woman waiting for a client in the middle of a rural crossroads under a hazy, sun-seared sky. Orderly lines of trees stretch off on each side, but they are dusty, too, like the woman who stares straight down the road towards something we don’t see – the client. The places where the women sit play a major role but, like the client, the places where they perform their sex acts are missing. This absence gives the project much of its power – a prurient power, as is the nature of most projects on prostitution, but a power nonetheless. It’s the same power apparent in Mishka Henner’s No Man’s …

2015-08-24T11:59:37+00:00

BJP Staff