Michael Danner’s book project Migration as Avant-Garde has won the prestigious Dummy Award at the Fotobookfestival Kassel. His mock-up will now be produced and published by Kettler, Germany, the company behind Mathieu Asselin’s hit book Monsanto: A Photographic Investigation.
Born in Reutlingen, Germany in 1967, Danner studied photography at Fachhochschule Bielefeld in Germany and the University of Brighton in the UK, and lived in London from 1997 to 2000. He’s now based in Berlin, where he lectures in photography at the Berliner Technische Kunsthochschule. He has previously published three monographs and seven artist’s books.
His project “examines the new ways in which migrants are pursuing their hope for a better life”, he states, adding: “The term ‘avant-garde’ stands for progress and the way of a pioneer. Driven by the desire to give their lives meaning, and guided by their own integrity, migrants bring new perspectives and points of view to our society. The origin of his work was the reading of a 1943 text by the philosopher Hannah Arendt.”
“This image documents a transcendental fact in the life of the person portrayed: Amadou had just been rescued from the sea by a European vessel,” says Dezfuli. “Apparently his dream is fulfilled. However, fear, mistrust and uncertainty are present, as well as determination and strength.” For his series, Passengers, photographer Cesar Dezfuli took a sequence of 118 photographs in 120 minutes as a boat load of refugees were rescued just off the coast of Libya. These people had journeyed from different countries looking for a better future in Europe.
Luke Richard’s project Under Black Sun reflects on the rise of far-right politics in contemporary Italy through the concept of the New Man – a form of idealised masculinity created by Mussolini during his reign as dictator, and propagated through various forms of meticulously controlled media. Appropriating the virile symbolism and values of Ancient Rome, the New Man model drew on Rome’s imperial history to whip up support for the New Italy that was to be delivered under a Fascist government – a pattern Richards believes resonates today.
Now in its third year, the Sicilian photo festival is tackling big issues under a theme of “Communication in uncertainty and chaos”. The idea is telling of its locale: a crucial crossing point in the Mediterranean and an entry gateway to Europe, Sicily has been at the centre of the migrant crisis as people cross the sea in search of peace and a better life. The photographs in this series cover ideas of identity, politics, war, nationality, feminism and more.
The title of World Press Photo of the Year goes to Warren Richardson for his picture of a man and child captured by moonlight as they attempted to cross the border from Serbia to Hungary last summer. And the first places in each of the four main news categories include scenes from the shores of Lesvos, a Kurdish hospital, and the heavily bombarded suburb of Douma on the outskirts of Damascus. Announced from Amsterdam this morning, following newly introduced checks to ensure the winning images met tightened codes on image manipulation, the jury gave prizes in eight categories to 41 photographers, selected from 82,951 images submitted by 5775 photographers from 128 countries. Richardson, an Australian photographer based in Hungary, wins 1st prize in the singles category for Spot News with the same image, while the 1st prize story goes to Sameer Al-Doumy for his reportage from rebel-held Douma, which has been subject to months of heavy aerial bombardment on the back of a two-year siege. In General News, Mauricio Lima, a veteran Brazilian working on …