All posts tagged: migration

César Dezfuli wins the Taylor Wessing with his portrait of Amadou

“This image documents a transcendental fact in the life of the person portrayed: Amadou had just been rescued from the sea by a European vessel,” says Dezfuli. “Apparently his dream is fulfilled. However, fear, mistrust and uncertainty are present, as well as determination and strength.” For his series, Passengers, photographer Cesar Dezfuli took a sequence of 118 photographs in 120 minutes as a boat load of refugees were rescued just off the coast of Libya. These people had journeyed from different countries looking for a better future in Europe.

2017-11-14T22:16:17+00:00

In Paris: Mahtab Hussain’s You Get Me?

“When 9/11 happened, I was four, so obviously I didn’t really know what was going on. But in terms of now, of how Muslims are portrayed in the media, I think it’s a very one-sided story. We’re all terrorists, evil, who want to take over this country. I mean, thinking back now, I was only four, so all I’ve experienced is that this country hates me.” So says one of the sitters in Mahtab Hussain’s You Get Me?, a series of portraits shot over nine years in Birmingham, Nottingham and London. It shows young, working class, British Asian men, a group which has been negatively depicted in the media since 9/11 but which Hussain hopes to portray in a more nuanced way.

2017-11-10T11:48:51+00:00

Alessandro Penso brings migration home to the Europeans

Long before the public sat up and took notice of the staggering number of refugees risking everything to make their way to Europe, Alessandro Penso had made migration to the continent the focus of his work. Since 2009 he has been documenting the conditions of refugees who have attempted to cross borders in search of safety and the hope of a better future for themselves and their families. Beginning with detention centres in Malta, which many migrants had mistaken for Penso’s homeland of Italy, the photographer then travelled to Bulgaria where, between 2012 and 2013, the number of refugees surged from 1700 to 10,200. He followed migrant agricultural workers in Italy as they moved from one harvest to another. He also accompanied young adults from the Middle East trying to make their way from Greece (which refuses the majority of asylum seekers’ applications), to its neighbouring countries and beyond, capturing the moment when one, Mostafa El Mouzadhir, was deliberately hit by a car in a hate crime, sustaining multiple injuries. When Penso visited him in …

2017-09-08T15:29:03+00:00

Daniel Castro Garcia’s first solo exhibition FOREIGNER opens

“It’s time to leave! If you must die, die in the open sea! You must not return. If any of you come back you’re dead. If any of you come back and report me, you’re dead. If you have to die, you die all together! Now go!” With these words, Aly Gadiaga, one of the migrants portrayed in Daniel Castro Garcia’s Foreigner project, describes his journey from the Libyan coast to Italy. Gadiaga tells his story in a long interview recorded by the artist and included in his exhibition at London’s TJ Boulting, his prize for winning the BJP‘s International Photography Award 2017. The work on show is delicate and sensitive, a far cry from the sensationalised accounts often offered up in the press. “We are all foreigners,” says Castro Garcia, adding that he hopes to inspire respect rather than pity. “It’s not just about respecting those in the photographs – the audience also deserves respect,” he says. “At the heart of this work was the desire to create a dignified response to this humanitarian …

2017-10-19T09:42:12+00:00

Donate to the ACLU, get our Migration issue free of charge

In September 2016, BJP published a special issue focused on the European migrant crisis which, over the last couple of years, has seen a surge of people entering the continent. Many are refugees fleeing conflict, with the United Nations High Commissioner for Refugees stating that in 2015 49% of those arriving from the Mediterranean came from Syria, 21% came from Afghanistan, and 8% from Iraq. Even so, attitudes in Europe have hardened, and photography has played a sometimes dubious role in fostering that colder climate. We interviewed image-makers such as Sam Ivin, whose defaced portraits reflect the sense of abandonment among his subjects, migrants seeking refuge in the UK; we also spoke with Patrick Willocq about his work for Save the Children, which aimed to help child refugees in two African camps express their thoughts and experiences. This issue also included interviews with Alessandro Penso, David Molina Gadea, Seba Kurtis, Daniel Castro Garcia and Dario Mitidieri on their work with migrants. In light of recent events we are offering free digital copies of this issue, …

2017-02-07T12:41:20+00:00

Editor’s Introduction: The Migration Issue (BJP #7851)

This issue of BJP focuses on the European migrant crisis which, over the last couple of years, has seen a surge of people entering the continent. Many are refugees fleeing conflict, with the United Nations High Commissioner for Refugees stating that in 2015 49% of those arriving from the Mediterranean came from Syria, 21% came from Afghanistan, and 8% from Iraq. Even so, attitudes in Europe have hardened, and photography has played a sometimes dubious role in fostering that colder climate. Upon Googling ‘refugee children’, Patrick Willocq found hundreds of pictures that looked the same, he tells BJP – “people on beaches, children crying, very little humanity.” His response, created for Save the Children, was to collaborate with young refugees and reflect their mental state instead, and the same sense of humanity runs through the other projects we’ve featured. “It’s no longer about making people aware of the migrants’ movements. They know,” says Alessandro Penso. “It’s now something else, something more personal, something about empathy.” In taking this approach, these photographers open themselves up to …

2016-09-08T13:21:33+00:00

The Malian festival celebrating the diversity and vitality of African photography

Bamako Encounters, set up primarily to showcase African photography, had to wait a long time to celebrate its tenth edition. The festivities were initially scheduled for autumn 2013 – 20 years after French photographer Françoise Huguier began the initiative in the Malian capital. But in January 2012, insurgent groups began fighting for the independence of the Azawad region. Within two months, President Amadou Toumani Touré had been ousted but the rebels splintered as soon as they had declared victory. Islamist factions prevailed, imposing strict Sharia law in the region. Unable to bring the conflict to an end on its own, the Malian government called for foreign military support. France, once the colonial power, controversially got involved. Its forces rapidly regained control but guerilla attacks continued for months before a first peace deal was signed in June 2013. That agreement didn’t last but a fragile new accord was signed in June this year. The unrest prevented the Bamako Encounters team from staging the event, but this year they decided to take advantage of what looks like a more enduring …

2015-11-04T12:59:01+00:00

BJP Staff