“He had such a strong character, he was full of energy and funny. Even if his health had worsened in recent months, he was always happy to welcome others and share good memories with friends in his famous Ara Kafé, near the no less well-known Istiklal Avenue. We will miss him,” says Emin Ozmen of Ara Güler – the ‘eye of Istanbul’ who has died aged 90
“I became interested in photography in the late 1940s and began to look at magazines such as Life, Look, and Picture Post,” David Goldblatt told Colin Pantall, writing for BJP in 2013. “In the early 1950s, I tried to become a magazine photographer. I sent my pictures to Picture Post and got rejected. Then, when the African National Congress became active in their struggle against apartheid, Tom Hopkinson, the editor of Picture Post, contacted me and asked if I could make something. So I went to an ANC meeting and photographed everything I saw. That was in 1952.
“I shot and I shot and I shot and then I realised that I was using a long roll of film – film that had failed to engage on the sprocket of the Leica I was using. It was an incredibly basic mistake. But the other thing I realised was that I wasn’t really interested in what was happening around me.
“After the ANC meeting, I discovered I had to understand what I was competent in and what I was interested in. That took some years to probe, until I could get to the underbelly of the society that underlay South Africa. And to understand it visually, I also had to get a grasp on the history of the country. So I did a degree, which included courses in English and economic history. This taught me how to think and understand what was happening around me.
“My father died in 1963. I was 32 with three children and a family, but I sold the shop [the family business] and, with a couple of Leicas and the capital to keep on going for a year, I became a full-time photographer.”
“People say that John was brilliant but tricky, but he was only difficult if you were being mediocre,” says Sacha Lehrfreund, John Reardon’s long term partner and one-time colleague. “In a professional capacity he wanted to be excellent. He pushed it beyond a point that was comfortable for lots of people, but he made you better than you might otherwise be.”
“John Reardon was an artist,” says Greg Whitmore, picture editor of The Observer and another former colleague. “You can see it the photographs of Handsworth cricket fans, the Kosovan woman and baby, the portrait of Fergus Henderson…John was one of the greats of his generation.” John Reardon, a celebrated photojournalist who went on to shoot equally celebrated celebrity portraits for The Observer, has died aged 66.
Peter James was an instrumental figure in British photography, establishing an outstanding collection of photography at the Library of Birmingham over his 26-year career at the institution, and researching and curating exhibitions at the V&A, National Portrait Gallery, Somerset House, Birmingham Museum and Art Gallery, Ikon Galley, the Library of Birmingham, and many more. He was also a modest and affable man, universally known as Pete and as at home over a curry as in a lecture hall delivering an academic paper. As Hilary Roberts, research curator at the Imperial War Museum, put it in a tribute on James’ Facebook page: “Pete has been a wonderful friend and exceptional colleague for more years than I can remember. His contribution to the world of photography cannot be overstated. It was a privilege to work with him and I will miss him more than I can say.”
With a career that spanned seven decades, Robert Delpire, who passed away on 26 September, will be remembered as one of photography’s biggest champions in the 20th century. Best-known for founding the Editions Delpire, which published the work of artists such as Cartier-Bresson, Doisneau and Robert Frank, he also co-founded the Jeu de Paume, set up the Fondation HCB, ran an advertising agency, art directed a magazine and much, much more.
Passing away this morning, the American photographer leaves a legacy of outstanding work, particularly from Chechnya, and memories of an elegant, generous man
From the 1940s until perhaps the early 90s, an empathic documentation of everyday life appeared weekly or monthly in the world’s illustrated magazines, a medium whose appeal lay almost wholly in its use of outstanding photography, by great practitioners. It was a time, Mary Ellen Mark recalled, when “the magazines really needed photographers, especially documentary photographers. When they flourished you could bring an idea to a magazine and they would do it. Sadly that time is over”. Nonetheless, she worked on very successfully until the end of her life, combining documentary reportage with commercial assignments in fashion and advertising and portraiture. She was as adept in the studio as in the street, and as at ease with a Leica as she was with an ultra-large format studio camera. Faithful to film photography to the end, she never felt attracted to digital: “I’m staying with film, and with silver prints and no Photoshop …[that’s] the way I learned photography. You make your picture in the camera,” she said in 2008. Born in Elkins Park, near Philadelphia, …
French peacekeepers found Camille Lepage’s body in a car driven by Christian militia fighters, the French presidency has explained. “All means necessary will be used to shed light on to the circumstances of this murder and to find her killers,” it added. Lepage, 26, was born in Angers, France. Since July 2013, she had been based in South Sudan to document “the building of a nation that recurrently seemed doomed”, she wrote on her website. Speaking to PetaPixel last year, she explained her decision to move to Juba. “Since I was very little, I’ve always wanted to go and live in a place where no one else wants to go, and cover in-depth conflict related stories. I followed thoroughly the independence process of South Sudan and was shocked by the little coverage it got… plus all the pessimism around it really annoyed me.” She added: “Then, while doing research, I discovered the conflict in the Nuba Mountains. I became even more outraged by the fact that, except from a few media, no one talked about it. It …
Associated Press photographer Anja Niedringhaus and reporter Kathy Gannon were in Khost in eastern Afghanistan covering the run-up to the presidential elections when an Afghan policeman approached their vehicle at a security checkpoint. “[He] yelled ‘Allahu Akbar’ — God is Great — and opened fire on them in the back seat with his AK-47,” the Associated Press reports. “He then surrendered to the other police and was arrested.” Gannon survived the attack but was wounded twice and is now being treated in a local hospital. In a statement to his staff, Gary Pruitt, president and CEO of AP, said: “It is with grief and great sadness that I let you know that photographer Anja Niedringhaus has been killed while working in Afghanistan […] Those of you who worked with Anja know what a life force she was: spirited, intrepid and fearless, with a raucous laugh that we will always remember.” AP’s vice president and director of photography Santiago Lyon, who has known and worked with Anja for 22 years, adds: “Anja was one of the most …