All posts tagged: Oxford

Dafydd Jones’ The Last Hurrah

“I had access to what felt like this secret world,” says Dafydd Jones, who has worked as a social photographer since the 1980s for publications such as Tatler, Vanity Fair, The New York Observer, The Sunday Telegraph, and The Times. “I was taking pictures of elites that nobody had seen before. It was Thatcher’s Britain, a period of celebration for those that had money. People described it as the ‘last hurrah’ of the upper classes.”

In 1981 he won a photography competition run by The Sunday Times magazine with a set of photographs of “Bright Young Things”, named after the earlier group of hard-partying aristocrats immortalised by novelist Evelyn Waugh and photographer Cecil Beaton. Tatler editor Tina Brown hired Jones off the back of it, commissioning him to photograph the Hunt Balls, society weddings, and debutante dances that were a mainstay of the upper-class publication. Now Jones has put together a collection of his work for Tatler from 1981-89, titled The Last Hurrah and currently on show at The Photographers’ Gallery and put out as a publication by Stanley Barker. 

2018-09-12T10:06:48+00:00

The custodians watching over Oxford’s hallowed institutions

Writing about Oxford, the travel writer Jan Morris observed, “it forms a national paradigm — in whose structure sometimes shadowy, sometimes splendidly sunlit, we may explore the history, the character and the condition of the English”. When Joanna Vestey moved to the city, she was intrigued by the way its inhabitants interact with its history, and she’s explored this nexus in her upcoming book Custodians. Lush, wide-angle shots frame the interior of locations such as The Radcliffe Observatory, The Codrington Library and the Trinity College Dining Hall, inhabited by a solitary figure somehow connected to the building. Vestey was interested in “how institutions shape us, and we them”, she writes in the afterword. She explains to me that she “wanted to find a middle ground that preferenced the space and the individual equally and leant towards something more painterly than photographic”. Russell Roberts describes Custodians as “a journey through the tourist imagination of Englishness” in his essay for the book, but Vestey says that she doesn’t intend this to be deferential. “[Roberts] also includes [an excerpt] by Allan Bennett …

2015-08-20T16:24:20+00:00

BJP Staff