The Fondation Henri Cartier-Bresson is moving to new premises in Paris, giving it double the exhibition space, a bigger research space, street-level access, and a place in the cultural hotspot of Le Marais, also home to the Maison Européenne de la photographie, The Pompidou Centre, the Museum Picasso, the Museum Carnavalet, and the forthcoming Pinault Foundation, to name just a few.
The Fondation HCB’s 800 square metre new home will open on 06 November, and will be further expanded “in a year or two” when a new extension will triple the hanging space from its current venue in Montparnasse, according to Fondation HCB director François Hebel. “Then we will enter more experimental shows,” he told BJP. “It is hard to say [more] as this is not today and linked to the creativity of the artists that we will enjoy showing then.”
“There is a myth that the suburbs in the outskirts of Paris are full of violence and disruption,” says Camilo Leon-Quijano, who is completing a PhD on the relationship between photography and the experience of living in low-income banlieue. “For me, it is just another place where you live and grow. Media and even academic discourse always tries to put these places down.”
Originally from Bogota, Colombia, Quijano has worked in his own country’s suburbs, the favelas, and has been studying in Paris for the last five years. “I wanted to see how people live, and try to leave behind all these negative stereotypes,” he explains.
Established back in 2008, the Fotobookfestival Kassel was the first festival devoted to the photobook and, over the last 10 years, has made a name as one of the most interesting on the calendar. Its 10th anniversary edition looks set to bear out this reputation from 31 May-03 June, with talks by celebrated photographers and photobook-makers such as Anders Petersen, Susan Meiselas, Carlos Spottorno, Mathieu Asselin, Gerhard Steidl, JH Engström, and many more, and exhibitions by Dana Lixenberg, Daniel Gustav Cramer, and the designer Sybren Kuiper (SYB). The exhibitions programme also includes two shows devoted to Kassel’s well-regarded prizes – the Dummy Award and the Photobook Award. In total 30 books have been selected for the Photobook Award by a prestigious panel including, Laia Abril On Abortion; Mathieu Asselin Monsanto – A Photographic Investigation; Ludovic Balland American Readers at Home; Tim Carpenter Local Objects; Sanne de Wilde The Island of the Colorblind; Carolyn Drake Internat; Li Feng White Night; Stephen Gill Night Procession; Anne Golaz Corbeau; David Goldblatt Structures of Dominion and Democracy; Daniela Keiser Kairo; Stephan Keppel Flat Finish; Paul Kranzler and Andrew Phelps The Drake Equation; Sandrine Lopez Moshé; Alix Marie Bleu; Raymond Meeks, Adrianna Ault and Tim Carpenter dumbsaint 01: township & bremen …
“Photography is a universally understood language. No matter where you’re from, anyone can read an image and understand what’s going on,” says French photojournalist Michael Bunel. Bunel has been working as a photojournalist for the last five years and is committed to communicating important stories through images. He’s documented the 2013 unrest in Turkey’s Taksim Square, the crisis in Ukraine, and the Calais Jungle. But now he’s turning the lens on a crisis unfolding right on his doorstep in Paris. “For several months, hundreds of refugees have been roaming the capital for lack of a better reception facility,” explains Bunel. Despite the French President Emmanuel Macron’s purported wish to make France ‘the land of the welcome’, refugees continue to sleep rough in the streets, mostly grouped in makeshift camps like those at the Canal Saint Martin in Jaurès and the Avenue of the Porte des Poissonniers. With snow falling in the French capital at the start of February and now again at the end, they’re facing freezing conditions in tents. When he was just starting …
“It is a very progressive, very independent festival. It’s not part of the city’s art establishment. It’s dynamic, because the organisers are working way out on a limb,” says Susan Bright, ‘godmother’ of the Circulation(s) festival of young European photography, which takes place in Paris from 17 March-06 May
Malick Sidibé was lauded “the eye of Bamako” for his work in the Mali capital in the heady years after independence from France in 1960. Often shooting in dance halls and soirées as well as in his studio in the Bagadagjii district, Sidibé captured the vitality and verve of the time, photographing the country’s young people and their clothes, dance moves, and musical tastes. By the 1990s Sidibé’s work had gained attention outside Africa and in 1995, the Fondation Cartier pour l’art contemporain was the first to give him a solo show outside the continent. Now, a year after his death, the institution is staging the largest ever exhibition of his work, including over 300 images taken from the early 1960s to 80s. Mali Twist includes iconic works such as Un Yé-yé en position and Nuit de Noël (Happy-club), both shot in 1963, but also previously unseen vintage photographs and portraits – including 30 previously unshown studio portraits selected from thousands of negatives in Sidibé’s archives.
The overwhelming sense of being surrounded by people yet feeling alone among them is a well documented facet of city life. And even if you are among the 46 percent of the world’s population living in a rural environment, you’ll be familiar with the emblematic image of urban disconnection in which tower blocks loom over bustling streets filled with scurrying figures. But what happens when the day is over and each individual retreats into their home for a moment of calm after the storm? London-based photographer Aristotle Roufanis is fascinated by this experience of collective solitude. Trained as a civil engineer, he has an affinity for the urban structures that characterise major cities all over the world.
“If you’ve been to Morocco I think you’ll understand that we’re a very colourful country, a colourful people. We see every colour being worn. In Morocco that there is the clash of colours and an attitude not to be scared of colours,” says Hassan Hajjaj. His latest exhibition, La Caravane, is about to launch at Somerset House, the first display for the British-Moroccan photographer in London in seven years. His work reflects on identity and culture, which has featured as a big part of his life and work since moving to the UK from a small port town in Morocco aged just 13.
“I believe that the great strength photography has, and in particular documentary photography, is content. So much of what is published today, seems to me to be content less. I hope my photography illuminates and resonates with viewers and tells how British society was. And, of my more recent work, of how society is,” says Homer Sykes. he has been photographing British society for five decades, including major social and political events, such as The Battle of Lewisham. Now, some of his work is set to be featured in a Burberry show this month.
“I have simply seen breastfeeding as an act of life and love that is not always an easy task, and that therefore is deserving of encouragement in its all dimensions, psychological, physical and social,” says Vincent Ferrané, whose photobook Milky Way is a testament to his wife and women everywhere as they begin their lives as mothers. The series focuses on breastfeeding, a natural act that can sometimes cause controversy when brought into the public sphere. Ferrané’s photobook hopes to move past that and reclaim the breast as an empowering part of the female body.